An old friend of mine, named Luigi, who once kept a tiny wine-shop,
lives in a little dirty room in Rosoman Street, and I sometimes spend an
evening with him. But not in summer. I adjure you--do not visit an
impoverished Italian who lives in one room in Clerkenwell, in the
summer; unless, of course, you are a sanitary inspector. He is an
entertaining old fellow, and speaks a delicious Italian-Cocknese, which
no amount of trickery could render on the printed page. When I go, I
usually take him a flask of Chianti and some Italian cigars, for which
he very nearly kisses me.
But Luigi has a story. You will see that at once if you scan his face.
There is something behind him--something he would like to forget. It
happened about ten years ago, and I witnessed it. Ten years ago, Luigi
did something--an act at once heroic, tragic, and idiotic. This was the
way of it.
It was an April night, and we were lounging at that corner which was
once called Poverty Point; the corner where Leather Lane crashes into
Clerkenwell Road, and where, of a summer night, gather the splendid
sons of Italy to discuss, to grin, to fight, and to invent new oaths. On
this corner, moreover, they pivot in times of danger, and, once they can
make the mazy circle of which it is the edge, safety from the pursuer is
theirs. The place was alive with evening gladness. In the half-darkness,
indolent groups lounged or strolled, filling their lungs with the
heavily garlicked air of the place.
Then an organ pulled up at the public-house which smiles goldenly upon
Mount Pleasant, and music broke upon us. Instantly, with the precision
of a harlequinade, a stream of giggling girls poured from Eyre Street
Hill and Back Hill. With the commencement of a rag-tag dance, the Point
was whipped to frivolous life. The loungers grunted, and moved up to
see. Clusters of children, little angels with dark eyes and language
sufficiently seasoned to melt a glacier, slipped up from nowhere, and,
one by one, the girls among them slid into the dance. One of them had a
beribboned tambourine. Two others wanted it, and would snatch it away.
Its owner said they were--something they could not possibly have been.
Stabs of light from the tenements pierced the dusk high and low. The
night shone with recent rain, and in a shifting haze of grey and rose
the dancers sank and glided, until the public-house lamp was turned on
and a cornet joined the organ. In the warm yellow light, the revels
broke bounds, and, to the hysterical appeal of "Hiawatha," the Point
became a Babel.... When most of the dancers had danced themselves to
exhaustion, two of the smaller maidens stood out and essayed a kind of
can-can.
The crowd swooped in. It crowded with appreciation as they introduced
all the piquant possibilities of the dance. It babbled its merriment at
seeing little faces, which should show only the revel of April, bearing
all the ravage of Autumn.
Public-domain text, read in full here on John Shaqi.
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