_Beyond the pleading lip, the reaching hand,
Laughter and tear;
Beyond the grief that none would understand;
Beyond all fear.
Dreams ended, beauty broken,
Deeds done, and last words spoken,
Quiet she lies._
_Far, far from our delirious dark and light,
She finds her sleep.
No more the noisy silences of night
Shall hear her weep.
The blossomed boughs break over
Her holy breast to cover
From any eyes.
Till the stark dawn shall drink the latest star,
So let her be.
O Love and Beauty! She has wandered far
And now comes home to thee._
A RUSSIAN NIGHT
SPITALFIELDS AND STEPNEY
The Russian quarter always saddens me. For one thing, it has
associations which scratch my heart regularly every month when my
affairs take me into those parts. Forgetting is the most wearisome of
all pains to which we humans are subject; and for some of us there is so
much to forget. For some of us there is Beatrice to forget, and Dora,
and Christina, and the devastating loveliness of Isabel. For another
thing, its atmosphere is so depressingly Slavonic. It is as dismal and
as overdone as Rachmaninoff's Prelude in C sharp minor. How shall I give
you the sharp flavour of it, or catch the temper of its streets?
It seems impossible that one should ensnare its elusive spirit. Words
may come, but they are words, hard and stiff-necked and pedestrian. One
needs symbols and butterflies.
* * * * *
Beauty is a strange bird. Hither and thither she flies, and settles
where she will; and men will say that she is found here and
there--sometimes in Perugia, sometimes in Mayfair, sometimes in the
Himalaya. I have known men who found her in the dark melancholy of
Little Russia, and I can understand them. For beauty appears, too, in
various guise; and some men adore her in silks and some in rags. There
are girls in this quarter who will smite the heart out of you, whose
beauty will cry itself into your very blood. White's Row and the
fastnesses of Stepney do not produce many choice blooms; there are no
lilies in these gardens of weeds. The girls are not romantic to regard
or to talk with. They are not even clean. The secrets of their toilet
are not known to me, but I doubt if soap and water ever appear in large
quantities. And yet.... They walk or lounge, languorous and
heavy-lidded, yet with a curious suggestion of smouldering fire in their
drowsy gaze. Rich, olive-skinned faces they have, and hair either gloomy
or brassy, and caressing voices with the lisp of Bethnal Green. You may
see them about the streets which they have made their own, carrying
loads of as enchanting curls as Murger's Mimi.
Public-domain text, read in full here on John Shaqi.
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