Across the road we went, through mire and puddle, and down a long,
winding court. At about midway our friends disappeared, and, suddenly
drawn to the right, I was pushed from behind up a steep, fusty stair.
Then I knew where we were going. We were going to the tenements where
most of the Russians meet of an evening. The atmosphere in these places
is a little more cheerful than that of the cafes--if you can imagine a
Russian ever rising to cheerfulness. Most of the girls lodge over the
milliners' shops, and thither their friends resort. Every establishment
here has a piano, for music, with them, is a sombre passion rather than
a diversion. You will not hear comic opera, but if you want to climb the
lost heights of melody, stand in Bell Yard, and listen to a piano, lost
in the high glooms, wailing the heart of Chopin or Rubinstein or
Glazounoff through the fingers of pale, moist girls, while the ghost of
Peter the Painter parades the naphthaed highways.
At the top of the stair I was pushed into a dark, fusty room, and guided
to a low, fusty sofa or bed. Then some one struck a match, and a lamp
was lit and set on the mantelshelf. It flung a soft, caressing radiance
on its shabby home, and on its mistress, and on the other girls and
boys. The boys were tough youngsters of the district, evidently very
much at home, smoking Russian cigarettes and settling themselves on the
bed in a manner that seemed curiously continental in Cockney toughs. I
doubt if you would have admired the girls at that moment.
The girl who had collared me disappeared for a moment, and then brought
a tray of Russian tea. "Help 'selves, boys!" We did so, and, watching
the others, I discovered that it was the correct thing to lemon the
ladies' tea for them and stir it well and light their cigarettes.
The room, on which the wallpaper hung in dank strips, contained a
full-sized bed and a chair bedstead, a washstand, a samovar, a
pot-pourri of a carpet, and certain mysteries of feminine toilet. A
rickety three-legged table stood by the window, and Katarina's robes
hung in a dainty riot of frill and colour behind the door, which only
shut when you thrust a peg of wood through a wired catch.
Public-domain text, read in full here on John Shaqi.
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