To-night he had snatched a few hours in the West, and was just returning
home. It being then well past twelve, we sauntered a little way with
him, and called at a coffee-stall for a cup of the leathery tea which is
the speciality of the London coffee-stall. Most stalls have their
"regulars," especially those that are so fortunate as to pitch near a
Works of any kind. The stall we visited was on the outskirts of Soho,
and near a large colour-printing house which was then working day and
night. I wonder, by the way, why printers always drink tea and stout in
preference to other beverages. I wonder, too, why policemen prefer
hard-boiled eggs above all other food.
It is a curious crowd that gathers about the stalls. In the course of a
night you may meet there every type of Londoner. You may meet policemen,
chauffeurs, printers, toughs, the boy and girl who have been to a
gallery and want to finish the night in proper style, and--the
cadgers. At about the middle of the night there is a curious break
in the company: the tone changes. Up to four o'clock it's the
stay-up-all-nights; after that hour it's the get-up-earlys. One minute
there would be a would-be viveur, in sleek dress clothes; then along
comes a cadger; then along comes a warrior from the battlefield. Then,
with drowsy clatter, up comes a gang of roadmen, scavengers, railway
workers, and so on. A little later comes the cheerful one who has made a
night of it, and, somehow, managed to elude the police. He takes a cup
of strong tea, demonstrates the graceful dancing of Mr. Malcolm Scott,
and smashes two cups in doing it. Then up comes the sport, with a cert.
for the big race to-day. Then up comes six o'clock, and the keeper
packs up, and shoves his stall to its yard.
After a long exchange of reminiscences, we parted with the tattoo
artist, and I walked home with Georgie, the outmoded, who lives in
Vauxhall Bridge Road. I have often told him that the stiff, crinoline
atmosphere of the place is the right touch for him, but he does not
understand. It is a poor faded thing, this district; not glamorously
old; just ridiculously out of fashion. Shops and houses are all echoes
of the terrible seventies, and you seem to hear the painful wheezing of
a barrel-organ, to catch a glimpse of side-whiskers and bustles, and to
be encompassed by all the little shamefaced emotions of that period
which died so long ago and only haunt us now in this street and in the
provinces.
There, on the steps of one of the silly little houses, I parted from
Georgie and this book.
Public-domain text, read in full here on John Shaqi.
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