"In my honour my American lady friend gave, a few days later, a
concert. The little ones call a concert a series of instrumental and
vocal pieces played for sheer amusement, and without any relation to
poetry, dance, or religion. I have these three to four hundred years
accustomed myself to their music, which is thoroughly different from
ours, being polyphonous, whereas ours was never so. Dionysus, who
presides at their music, has often told us that he introduced it into
the modern world in order to show his exceeding power even in times
when the men and women have lamentably fallen from the height of our
Grecian culture. Our music was essentially Apollinic; that of the
moderns is Dionysiac. You remember, O Zeus, that even Apollo was moved
when three of the moderns had the honour to perform before him. Even he
praised Mozart, Chopin, and some pieces of Weber. You need not blush,
Frédéric, and you might help me to entertain and charm our holy circle
by playing us one of your compositions in which beauty of form is
married in tender love to truth of feeling."
Thereupon, at a sign of Zeus, Milo of Crotona, the Olympian victor
of all victors, carried a piano on his mighty back, and put it down
gently in one of the mystic barks. Chopin, bowing to the gods, and more
particularly to Juno and Diana, sat down to the instrument and played
the second and the third movement of his E minor _Concerto_. Round
him waved the three Graces, while Dionysus laid an ivy wreath on his
blessed head. Even the gods were moved, and when Frédéric had ended,
they applauded him with passionate admiration.
"I wish, O Chopin," continued Alcibiades, "I had known you in my
mortal time. What Terpander and Thaletas, the great musicians, did for
Sparta, you might have helped me to do for Athens. It was not to be.
The thought saddens me still. More than Sophocles and Aristophanes
or Socrates, your incomparable music would have helped to keep the
_Kosmos_ of Athens in due proportions."
A short pause ensued, and all looked with timidity on Zeus' immovable
face.
"But let us drop these sorrowful reminiscences and return to the London
concert given by my American hostess.
Public-domain text, read in full here on John Shaqi.
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