Civilization, Modern -- 19th century; Literature -- History and criticism
Mr. Buckle encounters another difficulty in Scottish history in this,
that though a new and splendid literature arose in Scotland at the
beginning of the eighteenth century, it was unable to diminish national
superstition. It was thoroughly skeptical, and yet did not produce the
appropriate effect of skepticism. So that at this point one of Mr.
Buckle's four great laws of history seems to break down. For a moment
he appears discouraged, and laments, with real pathos, the limitations
of the human intellect. But in the next chapter he addresses himself
again to the solution of his two-fold problem, viz.: "1st, that the
same people should be liberal in their politics and illiberal in their
religion; and, 2d, that their free and skeptical literature in the
eighteenth century should have been unable to lessen their religious
illiberality."
In approaching this part of his task, in the fifth chapter, our
author gives a very elaborate and highly colored picture of the
religion of Scotland. It is _too_ well done. Like some of Macaulay's
descriptions, it is so very striking as to impress us almost inevitably
as a caricature. Every statement in which the horrors and cruelties
of Calvinism are described is indeed reinforced by ample citations
or plentiful references in the footnotes. But some of these seem
capable of a different inference from that drawn in the text. For
instance, he charges the Scottish clergy with teaching, that, though
the arrangements originally made by the Deity to punish his creatures
were ample, "they were insufficient; and hell, not being big enough
to contain the countless victims incessantly poured into it, had in
these latter days been enlarged. There was now sufficient room." He
supports the charge by this reference to Abernethy,--"Hell has enlarged
itself,"--apparently not being aware that Abernethy was merely quoting
from Isaiah. He says that to write poetry was considered by the Scotch
clergy to be a grievous offence, and worthy of special condemnation.
He supports his statement by this reference: "A mastership in a
grammar school was offered in 1767 to John Wilson, the author of
'Clyde'" (a poet, by the by, not found among the twenty John Wilsons
commemorated by Watt). "But, says his biographer, the magistrates and
ministers of Greenock thought fit, before they would admit Mr. Wilson
to the superintendence of the grammar school, to stipulate that he
should abandon 'the profane and unprofitable art of poem-making.'"
This fact, however, by no means proves that poetry was considered,
theologically, a sin, for perhaps it was regarded practically as only a
disqualification. It is to be feared that many of our school committees
now--country shopkeepers, perhaps, or city aldermen--would, apart from
Calvinism, think that a poet must be necessarily a dreamer and an
unpractical man.
A few exaggerations of this kind there may be. But, on the whole, the
account seems to be correctly given; and it is one which will do good.
Public-domain text, read in full here on John Shaqi.
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