Civilization, Modern -- 19th century; Literature -- History and criticism
Mr. Parton describes in full (vol. ii. p. 410) the ceremony of the
eucharist of which Voltaire partook in his own church at Ferney. It was
Easter Sunday, and Voltaire mounted the pulpit and preached a sermon
against theft. Hearing of this, the bishop was scandalized, and forbade
all the curates of the diocese from confessing, absolving, or giving
the sacrament to Voltaire. Upon this Voltaire writes and signs a formal
demand on the curate of Ferney to allow him to confess and commune
in the Catholic Church, in which he was born, has lived, and wishes
to die; offering to make all necessary declarations, all requisite
protestations, in public or private, submitting himself absolutely
to all the rules of the Church, for the edification of Catholics and
Protestants. All this was a mere piece of mystification and fun. He
pretended to be too sick to go to the church, and made a Capuchin come
and administer the eucharist to him in bed; Voltaire saying, "Having
my God in my mouth, I declare that I forgive all my enemies." No
wonder that with all his marvelous ability and his long war upon the
Catholic Church he was unable to make any lasting impression upon it.
Talent is not enough to make revolutions of opinion. No serious faith
was ever destroyed by a jest.
If we return to Rousseau, and compare his influence with that of
Voltaire, we shall find that it went far deeper. Voltaire was a man of
immense talent. Talent originates nothing, but formulates into masterly
expression what has come to it from the age in which it lives. Not
a new idea can be found, we believe, in all Voltaire's innumerable
writings. But genius has a vision of ideal truth. It is a prophet of
the future. Rousseau, with his many faults, weaknesses, follies, was
a man of genius. He was probably the most eloquent writer of French
prose who has ever appeared. He was a man possessed by his ideas. He
had none of the adroitness, wit, ingenuity, of Voltaire. Instead of
amassing an enormous fortune, he supported himself by copying music.
Instead of being surrounded by admirers and flatterers, he led a
solitary life, alone with his ideas. Instead of denying the authorship
of his works, and so giving an excuse to the authorities to leave him
quiet, he put his name to his writings. He worked for his bread with
his hands, and in his "Emile" he recommended that all boys should be
taught some manual craft. Voltaire ridiculed the _gentleman carpenter_
of Rousseau; but before that generation passed away, many a French
nobleman had reason to lament that he had not been taught to use the
saw and the plane.
Public-domain text, read in full here on John Shaqi.
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