Civilization, Modern -- 19th century; Literature -- History and criticism
The result of what I have said is this: The phenomena of the universe
cannot be satisfactorily explained except by the study both of
efficient causes and of final causes. Routine scientists, confining
themselves to the one, and routine theologians, confining themselves
to the other, may suppose them to be in conflict. But men of larger
insight, like Leibnitz, Newton, Descartes, and Bacon, easily see the
harmony between them. Like Hegel they say: "Nature is no less artful
than powerful; it attains its end while it allows all things to act
according to their constitution;" or they declare with Bacon that "the
highest link of Nature's chain is fastened to the foot of Jupiter's
chair." But the belief in final causes does not imply belief in
supernatural intervention, nor of any disturbance in the continuity of
natural processes. It means that Nature is pervaded by an intelligent
presence; that mind is above and around matter; that mechanical laws
are themselves a manifestation of some providing wisdom, and that when
we say Nature we also say God.[23]
HISTORICAL AND BIOGRAPHICAL
THE TWO CARLYLES, OR CARLYLE PAST AND PRESENT[24]
In Thomas Carlyle's earlier days, when he followed a better inspiration
than his present,--when his writings were steeped, not in cynicism, but
in the pure human love of his fellow beings,--in the days when he did
not worship Force, but Truth and Goodness,--in those days, it was the
fashion of critics to pass the most sweeping censures on his writings
as "affected," "unintelligible," "extravagant." But he worked his way
on, in spite of that superficial criticism,--he won for himself an
audience; he gained renown; he became authentic. _Now_, the same class
of critics admire and praise whatever he writes. For the rule with
most critics is that of the bully in school and college,--to tyrannize
over the new boys, to abuse the strangers, but to treat with respect
whoever has bravely fought his way into a recognized position. Carlyle
has fought his way into the position of a great literary chief,--so
now he may be ever so careless, ever so willful, and he will be spoken
of in high terms by all monthlies and quarterlies. When he deserved
admiration, he was treated with cool contempt; now that he deserves
the sharpest criticism, not only for his false moral position, but
for his gross literary sins, the critics treat him with deference and
respect.
Public-domain text, read in full here on John Shaqi.
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