Civilization, Modern -- 19th century; Literature -- History and criticism
But to others, and especially to the younger men, this new writer
came, opening up unknown worlds of beauty and wonder. A strange
influence, unlike any other, attracted us to his writing. Before we
knew his name, we knew _him_. We could recognize an article by our new
author as soon as we opened the pages of the Foreign Review, Edinburgh,
or Westminster, and read a few paragraphs. But it was not the style,
though marked by a singular freedom and originality--not the tone of
kindly humor, the good-natured irony, the happy illustrations brought
from afar,--not the amount of literary knowledge, the familiarity with
German, French, Italian, Spanish literature,--not any or all of these
which so bewitched us. We knew a young man who used to walk from a
neighboring town to Boston every week, in order to read over again two
articles by Carlyle in two numbers of the Foreign Review lying on a
table in the reading-room of the Athenæum. This was his food, in the
strength of which he could go a week, till hunger drove him back to
get another meal at the same table. We knew other young men and young
women who taught themselves German in order to read for themselves
the authors made so luminous by this writer. Those were counted
fortunate who possessed the works of our author, as yet unpublished
in America,--his "Life of Schiller," his "German Romance," his Review
articles. What, then, was the charm,--whence the fascination?
To explain this we must describe a little the state of literature and
opinion in this vicinity at the time when Carlyle's writings first made
their appearance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account