Consider the immense charm of such hopes as these! No wonder that the critics complained that the disciples of Carlyle were "insensible to ridicule." What did they care for the laughter, which seemed to them, in their enthusiasm, like "the crackling of thorns under the pot." Ridicule, in fact, never touches the sincere enthusiast. It is a good and useful weapon against affectation, but it falls, shivered to pieces, from the magic breastplate of truth. No sincere person, at work in a cause which he knows to be important, ever minds being laughed at. But besides his admirable discussions of Goethe, Carlyle's "Life of Schiller" opened the portals of German literature, and made an epoch in biography and criticism. It was a new thing to read a biography written with such enthusiasm,--to find a critic who could really write with reverence and tender love of the poet whom he criticised. Instead of taking his seat on the judicial bench, and calling his author up before him to be judged as a culprit, Carlyle walks with Schiller through the circles of his poems and plays, as Dante goes with Virgil through the Inferno and Paradiso. He accepts the great poet as his teacher and master,[26] a thing unknown before in all criticism. It was supposed that a biographer would become a mere Boswell if he looked up to his hero, instead of looking down on him. It was not understood that it was that "angel of the world," Reverence, which had exalted even a poor, mean, vain fool, like Boswell, and enabled him to write one of the best books ever written. It was not his reverence for Johnson which made Boswell a fool,--his reverence for Johnson made him, a fool, capable of writing one of the best books of modern times. This capacity of reverence in Carlyle--this power of perceiving a divine, infinite quality in human souls--tinges all his biographical writing with a deep religious tone. He wrote of Goethe, Schiller, Richter, Burns, Novalis, even Voltaire, with reverence. He could see their defects easily enough, he could playfully expose their weaknesses; but beneath all was the sacred undertone of reverence for the divine element in each,--for that which God had made and meant them to be, and which they had realized more or less imperfectly in the struggle of life. The difference between the reverence of a Carlyle and that of a Boswell is, that one is blind and the other intelligent. The one worships his hero down to his shoes and stockings, the other distinguishes the divine idea from its weak embodiment.