Civilization, Modern -- 19th century; Literature -- History and criticism
II. We now come to treat of Carlyle in his present aspect,--a much
less agreeable task. We leave Carlyle the generous and gentle, for
Carlyle the hard cynic. We leave him, the friend of man, lover of
his race, for another Carlyle, advocate of negro slavery, worshiper
of mere force, sneering at philanthropy, and admiring only tyrants,
despots, and slaveholders. The change, and the steps which led to it,
chronologically and logically, it is our business to scrutinize,--not a
grateful occupation indeed, but possibly instructive and useful.
Thomas Carlyle, after spending his previous life in Scotland, and from
1827 to 1834 in his solitude at Craigenputtoch, removed to London
in the latter year, when thirty-eight years old. Since then he has
permanently resided in London, in a house situated on one of the quiet
streets running at right angles with the Thames. He came to London
almost an unknown man; he has there become a great name and power
in literature. He has had for friends such men as John Stuart Mill,
Sterling, Maurice, Leigh Hunt, Browning, Thackeray, and Emerson. His
"French Revolution" was published in 1837; "Sartor Resartus" (published
in Frazer in 1833, and in Boston in a volume in 1836) was put forth
collectively in 1838; and in the same year his "Miscellanies" (also
collected and issued in Boston in 1838) were published in London, in
four volumes. "Chartism" was issued in 1839. He gave four courses
of Lectures in Willis's rooms "to a select but crowded audience,"
in 1837, 1838, 1839, and 1840. Only the last of these--"Heroes and
Hero-Worship"--was published. "Past and Present" followed in 1843,
"Oliver Cromwell" in 1845. In 1850 he printed "Latter-Day Pamphlets,"
and subsequently his "Life of Sterling" (1851), and the four volumes,
now issued, of "Frederick the Great."
The first evidence of an altered tendency is perhaps to be traced in
the "French Revolution." It is a noble and glorious book; but, as one
of his friendly critics has said, "its philosophy is contemptuous and
mocking, and it depicts the varied and gigantic characters which stalk
across the scene, not so much as responsible and living mortals, as
the mere mechanical implements of some tremendous and irresistible
destiny." In "Heroes and Hero-Worship" the habit has grown of revering
mere will, rather than calm intellectual and moral power. The same
thing is shown in "Past and Present," in "Cromwell," and in "Latter-Day
Pamphlets," which the critic quoted above says is "only remarkable as
a violent imitation of himself, and not of his better self." For the
works of this later period, indeed, the best motto would be that verse
from Daniel: "He shall exalt himself, and magnify himself, and speak
marvelous things; neither shall he regard the God of his fathers, but
in his stead shall he honor the God of Forces, a god whom his fathers
knew not."
Public-domain text, read in full here on John Shaqi.
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