France -- History -- Revolution, 1789-1799 -- Fiction
Lantenac was one of those soldiers of the eighteenth century who save
cities at the age of eighty. He resembled the Count d'Alberg, who, when
almost a centenarian, drove the King of Poland from Riga.
"Courage, friends!" he said; "in 1713, at the beginning of this
century, Charles XII., shut up in a house at Bender, with three hundred
Swedes, held his own against twenty thousand Turks."
They barricaded the two lower stories, fortified the chambers,
converted the alcoves into battlements, supported the doors with
beams driven in by a mallet, thus forming buttresses; but the spiral
staircase connecting the different stories they were obliged to leave
free, since if they blockaded it against the besieger, their own
passage would be obstructed. Thus a fortification always has its weak
point.
The Marquis, indefatigable, vigorous as a young man, set example for
the others by putting his own hands to the work, raising beams and
carrying stones; he gave his orders, helped, fraternized, and laughed
with this savage band, yet always remaining their lord and master,
haughty even while familiar, elegant although fierce.
He allowed no one to contradict him. Once he said: "If half of you were
to revolt, I would have you shot by the other half, and still defend
the place with the rest."
This is the sort of thing for which men worship a commander.
[Illustration 095]
XIV.
WHAT THE IMÂNUS IS DOING.
While the Marquis occupied himself with the breach and tower, the
Imânus attended to the bridge. At the beginning of the siege the
escape-ladder suspended crosswise below the windows of the second story
had been removed by order of the Marquis and placed by the Imânus in
the library. Probably this was the very ladder whose place Gauvain
wished to supply. The windows of the entresol on the first story,
called the guard-room, were defended by a triple bracing of iron bars
set in the stones, so that one could neither come nor go that way.
The library windows, which were high, had no bars.
Public-domain text, read in full here on John Shaqi.
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