France -- History -- Revolution, 1789-1799 -- Fiction
Georgette on her part, having returned to her former character of
quadruped, and started again on her capricious journeys across
the floor, had discovered a venerable arm-chair, with moth-eaten
upholstery, from which the horse-hair was falling out in several
places. She had stopped before this arm-chair, and was carefully
enlarging the holes and pulling out the horse-hair.
Suddenly she raised her finger to attract her brothers' attention and
make them listen.
They turned their heads.
A vague far-away sound could be heard outside: probably the attacking
camp executing some strategic manoeuvre in the forest; there was
a neighing of horses, a beating of drums, a rolling to and fro of
caissons, a clanking of chains, and military calls and responses echoed
on every side,--a confusion of wild sounds, whose combination resulted
in a sort of harmony; the children listened in delight.
"It is the good God who does that," said Gros-Alain.
IV.
The noise ceased.
René-Jean had fallen into a dream.
How are ideas formed and scattered in those little minds? What is
the mysterious action of those memories, so faint and evanescent?
In this dreamy little head there was a confused vision of the good
God, of prayer, of clasped hands, of a certain tender smile that had
once rested on him, and which now he missed, and René-Jean whispered
half-aloud, "Mamma!"
"Mamma," said Gros-Alain.
"Mma," repeated Georgette.
Thereupon René-Jean began to jump, and Gros-Alain lost no time in
following his example, imitating all the movements and gestures of his
brother; not so Georgette. Three years may copy four, but twenty months
preserves its independence.
Georgette remained seated, uttering a word now and then; she had as yet
achieved no success in sentences.
She was a thinker, and only uttered monosyllabic apothegms. After a
few moments, however, she succumbed to the influence of example, and
began her attempts to imitate her brothers, and these three pairs of
naked little feet began to dance, run, and totter about in the dust
that covered the old oaken floor, under the serious eyes of the marble
busts, towards which Georgette from to time threw an uneasy glance,
whispering,--
"The Momommes!"
In the language of Georgette a "momomme" was anything that looked like
a man without really being one. Living beings are strangely confused
with ghosts in the minds of children.
As Georgette tottered along after her brothers she was always on the
verge of descending to all fours.
Public-domain text, read in full here on John Shaqi.
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