France -- History -- Revolution, 1789-1799 -- Fiction
Gros-Alain to the discovery of the string and the cart added that of
the blackberry-vine. He went up to it, picked off a berry, and ate it.
"I am hungry," said René-Jean. And Georgette, galloping on her hands
and knees, lost no time in making her appearance on the scene.
The three together soon stripped the branch and devoured all the fruit;
staining their faces and hands with the purple juices and laughing
aloud in their glee, these three little seraphs were speedily turned
into three little fauns, who would have horrified Dante and charmed
Virgil.
Occasionally the thorns pricked their fingers. Every pleasure has its
price.
Pointing to the bush, and holding out her finger, on which stood a tiny
drop of blood, Georgette said to René-Jean,--
"Prick."
Gros-Alain, who had also pricked himself, looked suspiciously at the
bush, and cried out,--
"It is a beast."
"No, it's a stick," replied René-Jean.
"Sticks are wicked, then," remarked Gros-Alain.
Again Georgette would have liked to cry, but she decided to laugh.
[Illustration 102]
V.
Meanwhile René-Jean, jealous perhaps of the discoveries of his younger
brother Gros-Alain, had conceived a grand project. For some time past,
while he had been gathering the berries and pricking his fingers, his
eyes had turned frequently towards the reading-desk, which, raised on
a pivot, stood alone like a monument in the middle of the library. On
this desk was displayed the famous volume of Saint Bartholomew.
It was really a magnificent and remarkable quarto. It had been
published at Cologne by Bloeuw, or Coesius, as he was called in Latin,
the famous publisher of the Bible of 1682. It was printed, not on Dutch
paper, but on that fine Arabian paper, so much admired by Édrisi,
manufactured from silk and cotton, which always retains its whiteness;
the binding was of gilded leather, and the clasps of silver; the
fly-leaves were of that parchment which the Parisian parchment-sellers
swore to buy at the hall Saint-Mathurin "and nowhere else." This
volume was full of wood-cuts, engravings on copper, and geographical
maps of many countries; it contained a preface consisting of a protest
from the printers, paper-manufacturers, and book-sellers against the
edict of 1635, which imposed a tax on "leather, beer, cloven-footed
animals, sea-fish, and paper," and on the back of the frontispiece was
a dedication to the Gryphs, who rank in Lyons with the Elzévirs in
Amsterdam. And all this had combined to produce a famous copy almost as
rare as the "Apostol" of Moscow.
It was a beautiful book, and for that reason René-Jean gazed at
it--too long, perhaps. The volume lay open just at the large engraving
which represented Saint Bartholomew carrying his skin on his arm.
This print could be seen from below, and when the berries were eaten,
René-Jean gazed steadily at it with all his longing and greedy eyes;
and Georgette, whose eyes had taken the same direction, spied the
engraving, and exclaimed,--
"Picsure."
Public-domain text, read in full here on John Shaqi.
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