Let us finish our description of the Assembly Hall. Everything concerning this terrible place is of interest. The first object to attract one's attention on entering was a tall statue of Liberty, placed between two large windows. This hall, which was formerly the king's theatre, had now become the stage of Revolution. It was forty-two metres long, ten metres in width, and eleven in height. This elegant and superb hall built by Vigarani for the use of the courtiers was hidden beneath the rude timber-work which served to support the weight of the people in '93. The only point of support upon which this timber-work of the public tribunes rested, was a single post, which well deserves honorable mention. This post consisted of one solid piece, ten metres in circumference, and few caryatides have done an equal amount of work; for years it bore the severe pressure of revolution. It has supported applause, enthusiasm, insult, clamors and tumults, the tremendous chaos of wrath, the fury of insurrection, and never given way beneath its burden. After the Convention it witnessed the council of the Ancients. On the 18th Brumaire it was relieved. At that time Percier replaced this wooden pillar by columns of marble that did not last so long. An architect's ideal is sometimes peculiar; that of the architect of the Rue de Rivoli was the curved path of a cannon-ball in its flight; the architect of Carlsruhe conceived the ideal of a fan; and the conception of the architect who built the hall where the Convention established itself on the 10th of May, 1793, was apparently a huge bureau drawer, for it was long as well as high and flat. A great semicircle had been added to one of the long sides of the parallelogram; this was the amphitheatre with seats for the representatives, but neither tables nor desks; Garan-Coulon, who wrote a great deal, used to write, resting his paper on his knee; facing the benches was the tribune,--before it the bust of Lepelletier-Saint-Fargeau, and behind it the president's arm-chair. The head of the bust projected slightly above the edge of the tribune, which afterwards was the cause of its removal. The amphitheatre consisted of nineteen semicircular benches, rising one above the other, some of which had been lengthened in order to fit into the corners, by means of other benches cut off for the purpose.