Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
Madame laughed, and replied that she did not believe in ghosts; that
she and her husband had laid a heavy bet on the point of sleeping in
the haunted chamber, and surely Monsieur would not be the cause of
their losing it.
With a pale face and slow steps, the major-domo went out to order a
bed, and other preparations to be made in the room, for Madame and
her husband—Ninon enacting that _rôle_ in her masculine attire; and
shortly after the two retired for the night, conducted to the door
of the apartment by the pale-faced, agitated steward. No sooner were
they alone than Madame Arnoul proceeded to make a close inspection of
the wainscotted walls. Presently an exclamation of delight escaped
her. “See here,” she cried, and slipping her hand inside the gaping
jaws of a hideous, reptile-like monster, carved in the woodwork of
a panel just beside the bed, she pressed a knob in its throat, and
the panel slid aside into a groove, disclosing beyond a much larger
chamber, luxuriously furnished, and bearing evidence of being ready
prepared for an occupant—“No less a person than His Majesty, Louis
XIV.,” explained Madame Arnoul, as she crossed the room towards the
splendid Carrara marble chimneypiece supported at the corners by
cherubim. Into the ear of one of them Madame put her finger, with the
result of again sending open the panel, which, not a little to the
nervous terror of Ninon, had closed behind them. The walls of this
great State chamber were covered with gilded russia leather, which
entirely concealed the movable panel between the rooms. Madame Arnoul
laughingly began to reassure her disturbed companion. “It was quite
true,” she said, “that a great many persons had been found dead from
strangulation in that smaller chamber, some century earlier; but the
ghosts were not responsible.” The guilt lay with the then lord of the
manor, the Comte de Ribeauvillé, who, ruined by debauch and gambling,
enticed rich passing travellers to spend the night in his castle,
lodged them in this bedchamber, and stealing in by the secret ways
during the night, strangled and robbed his unfortunate guests. While
Madame Arnoul told her tale, there was a knock at the door of the
apartment, and the baggage of the two travellers was brought in and
deposited on the floor. When they were alone again, Madame Arnoul,
opening one of the trunks, drew forth a magnificent robe of brocade,
a _cordon bleu_, and a small medallion locket, containing the
portrait of Anne of Austria. Leading Ninon to a mirror, she placed
the locket in her hands, and bade her compare her own countenance
with that of the dead queen. A few touches here and there, a little
filling out with stuffing, and Ninon would be the very double of the
queen: Louis himself could not know them apart.
Public-domain text, read in full here on John Shaqi.
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