Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
It was Mazarin France had to thank for establishing in Paris, musical
Italian plays, in other words, Italian operas. From time to time,
since the days of Henri III., Italian dramatic singers had visited
Paris, finding no regular stage or fair opportunity for their
beautiful presentations. Mazarin, however, secured them the rights
for these at the Hôtel Bourgogne, and by one of the exercises of his
wily ingenuity, also contrived to win away from Charles II. Budeaud,
the musical leader of the Court-revels in London, as the conductor of
the Paris company.
Early in the winter, whose approach brought Ninon and everybody back
to Paris, invitations were issued for the performance of an Italian
opera on a magnificent scale, in the Palais Royal, and to Ninon the
invitation was sent by the Duc de Condé—who had repented of his
harsh estimate of her conduct—and finding his way to her fauteuil in
the course of the performance, the two made their peace by mutual
concessions. Meanwhile Condé had diplomatically set several hundred
leagues between the lovers, by pairing off Madame de Longueville with
her husband to Münster, while he caused the Duc de la Rochefoucauld
to be summoned to his duties as governor of Poitou. Independently
of the ardent but brief attachment of Rocroi and Nordlingen days,
the Duc de Condé entertained sterling admiration and esteem for the
qualities of Ninon, and their friendship remained sincere through
life.
For three years Ninon came to Paris only at intervals; she remained
in the Vexin, with the erratic Marquis de Villarceaux for her
companion. Of a furiously jealous nature in regard to the object of
his affectionate consideration, he permitted himself a wide range.
The lawful wife he owned was, not unnaturally, jealous of Ninon, and
made her a constant subject of contention between them. One day she
requested the tutor of her little son to examine him before some
company she was entertaining, upon his recent classical studies.
“_Quem habuit successorum Bellus, rex Assyriorum?_” (“Who succeeded
Belus, King of the Assyrians?”) inquired the tutor, who was no less a
person than the Abbé Scarron.
“_Ninum_,” replied the little boy.
Public-domain text, read in full here on John Shaqi.
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