Ninon de l'Enclos and her centuryRowsell, Mary C. (Mary Catherine)
History
Ninon de l'Enclos and her century
Rowsell, Mary C. (Mary Catherine)
Lenclos, Ninon de, 1620-1705
It was useless to devise some excuse for not obeying the
summons—invitation, or what it might be—for that was only to bring
the queen herself to the rue des Tournelles; and so to the Palais
Royal Ninon went, to find Christina stretched upon a miserable
pallet-bed, with an evil-smelling, just-extinguished candle on the
table beside her. A serviette did duty for a night-cap, tied round
her head, which was denuded of every hair; for she had had it
shaved close on the previous night. Christina presented a strangely
grotesque and wretchedly miserable picture. Seizing Ninon by both
hands, she told her that she was suffering the deepest agony of
mind—a grief that was horrible—and begged her to stay by her. At
this moment, Sentinelli entered, and a whispered conversation ensued.
“Oh, they will prevent me?” she cried then. “They will prevent me,
will they? Let them dare. Am I not a queen? Have I not a right to
high justice? Very well, then,” she went on, when again Sentinelli
had bent to whisper again. “We must dissimulate. I will go back
to Fontainebleau. There at least, I can do as I please,” and she
prevailed on Ninon to accompany her. And there in the Galérie des
Cerfs at Fontainebleau the hideous tragedy was enacted. The farce
of this woman’s daily life fades out in the thought of her ferocity
and revengeful instincts. Monaldeschi had offended her: he had done
worse, he had been treacherous towards her. Pitiless, with eyes
glittering with rage and hatred, she stood in the Galérie, where the
fading daylight was illumined by the flare of the torches held by
her pages, and taxed the wretched culprit—pleading for mercy at her
feet—with his crimes; but it was not accorded; “Ah, let me live!” he
entreated—“let me live!”
And Ninon, who had dreaded something, but was utterly unprepared for
such a frightful scene, joined her entreaties to his and to those of
his confessor, the monk Lebel. “Ah, no! A woman,” she sobbed, “cannot
give an order for this man to die.”
“I am not a woman,” replied Christina; “I am a queen, and I have the
right to punish a traitor.” She gave the signal. There was a fearful
struggle, the flash of Sentinelli’s sword, an agonised cry, a crimson
stream upon the floor—and then the silence of death.
It had been with extreme reluctance that Ninon had accompanied
the queen to Fontainebleau; but for all Christina’s enigmatical
and elaborate preparations before starting, any conception of her
murderous intentions did not occur to Ninon. She had grown accustomed
to the royal lady’s freaks and eccentricities. On this occasion,
Christina had sent for a confessor, and having attired herself from
head to foot in black, she knelt before him when he arrived, and
first desiring Ninon not to leave the apartment, but to seat herself
in a distant corner of it, she muttered out to the perplexed-looking
Bishop of Amiens—whom she had sent for, he staying at that time at
the Tuileries, spending a kind of brief retreat—what she had to say.
Public-domain text, read in full here on John Shaqi.
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