Great Britain -- History -- Charles I, 1625-1649 -- Fiction
Finally, the "two State martyrs"--as Yeomans and Boucher have been
styled by the Royalist writers--were strung up, protesting their
innocence to the last, for all they were little believed. The evidence
adduced at their trial clearly proved intent to shed the blood of their
fellow-citizens; else why were they and their co-conspirators armed?
Independent of this, their design of handing over Bristol to the rule of
Prince Rupert and his ruffians meant something more than the mere
spilling of blood in a street conflict--it involved the sack and pillage
of peaceful homes, the violation of women, rapine and ruin in every way.
It was only on getting the details of the trial that the Bristolians
became fully sensible of the danger they had so narrowly escaped;
convinced then, as Captain Birch worded it, that they had been standing
upon a mine.
Notwithstanding all these occurrences and circumstances running counter
to the Royal cause, against which the tide seemed to have turned, within
Montserrat House--as the late Monsieur Lalande had named his dwelling--
was no interruption of the festive scenes already alluded to. Its
guests were as numerous, its gaieties gay and frequent as ever. For, to
speak truth, the political _bias_ of the planter's widow, as that of her
daughter, was but skin deep. Hair had much to do with it; and, like
enough, had the Parliamentarian officers but worn theirs a little
longer, submitted it to the curling tongs, and given themselves to
swearing and swaggering, in a genteel Cavalier way, they would have been
more welcome to the hospitality of her house.
Still not all of them were denied it; for not all were of the Roundhead
type. Among them were many gentlemen of high birth and best manners,
some affecting as fine feathers as the Cavaliers themselves. For the
"Self-denying Ordinance" had not yet been ordained, nor the
Parliamentary army moulded to the "new model."
Public-domain text, read in full here on John Shaqi.
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