Great Britain -- History -- Charles I, 1625-1649 -- Fiction
The questions passing from lip to lip, late on in the night, and after
another _contredanse_ had come to a close. A whisper had got wing of
something to succeed, altogether different--a dance of a special
character, introduced to the Bristolians by the daughter of Madame
Lalande.
In those days, the era of the morris and other picturesque dances,
excellence in the Coryphean art was esteemed a qualification; not
lightly held as now, and deemed rather degrading. The French Queen had
encouraged this, and noble dames oft vied with each other in saltatory
displays.
To show her superiority, Clarisse Lalande had prepared a surprise for
the assembly at Montserrat House--a dance of the Antilles, in which she
could have no competitor, nor need fear any if she had. It was also of
Spanish origin, much practised in the West India islands; where, then as
now, dancing was a thing of every night, and often of the day--even the
negroes giving half their off-labour hours to it, jigging with a grace
unknown to the peasantry of European lands. Their white "massas" were,
many of them, perfect _maitres-de-danse_, and their young mistresses
very Odalisques. Monsieur Lalande had prided himself on this
accomplishment, and, as a matter of course, his daughter did the same--
hence the resolve to make display of her proficiency.
The music had been prearranged; the time too--after supper, when the
excitement which comes of the wine cup would make it more attractive in
the eyes of the spectators; though Clarisse Lalande was thinking of only
one of them, and how it would affect him.
Public-domain text, read in full here on John Shaqi.
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