Southern States -- Social life and customs -- Fiction
The first of May, and spring had come on the Ridge. A young green lay
upon pasture and woodland, upon every spot where nature was allowed her
way--except the bald patches on the Mine Banks. They still glared a
sullen red, defiantly barren, when even the plowed earth glistened and
was warm, impatient under man's restraining hand, eager to quicken the
seed being entrusted to it, a civilized mother as intent on bearing
fruit as was her uncultured sister.
Those three weeks had brought the stir of life, both restlessness and
joy, to Sue, to Ann, to Judith Westmore; and, as spring quickens man as
well as woman, to Edward Westmore, Garvin and Baird the consciousness of
things desired and not attained which is the urge to all accomplishment.
Even Coats Penniman, busied about the farm from early morning until
night, was stirred by a vague unrest which was not unhappiness nor its
opposite. He worked the harder for it; he had cast his net here; he
meant to gather in the harvest, a modest harvest, but one that would be
sufficient for his family's needs. New horses filled the stalls that
had stood empty so long, new farm implements were stored in the
wagon-shed, the barn acquired a coat of paint. And the crying shame of
water carried by women up three hundred yards to a kitchen without a
convenience was abolished. That was Coats' first improvement: pipes were
laid to the bubbling spring and a pump installed; the spring-house,
unsanitary relic of a past century, would no longer harbor crocks of
milk and butter ill-protected from things that crawl and germs that
fatten; it housed the pump. And only the weeping willows mourned the
change; they no longer stood in a swamp, for a drain carried the seeping
water to the creek; they were a pleasant shelter now for any man and
maid who chose to sit beneath them.
Coats Penniman had his work and Sue had hers. The old house was being
transformed. Many years before, Ann, playing with a forbidden pen-knife,
had cut through the half-dozen layers of paper that generations of
tasteless Pennimans had laid upon the living-room walls and had come to
oak paneling as beautiful as any at Westmore. Sue had not forgotten the
discovery. The living-room was stripped of paper and became again what
it had been in colonial days, a spacious dining-room paneled from
ceiling to floor. The modern front room, the parlor, lost its dingy
figured paper, was hung and curtained in white, as were the rooms above.
Sue, with Ann to help her, and a sturdy negress to do the heaviest work,
labored joyfully. Paint and whitewash had their way with the old house,
and it emerged an elderly lady still, but with white hair smoothed and
wearing a spotless cap.
Public-domain text, read in full here on John Shaqi.
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