'Oh--respectable.' Alix laughed, again, shakily; it was such a funny
word in this connection, and so like Violette.
'Well, I don't see it's funny,' said Evie. 'It's awfully important to be
respectable, and I always am. I'll be good pals with any number of men,
but when they begin to get like Basil Doye I won't have it unless they
_mean_ something.'
Thus Evie enunciated her code, and washed her hands and face and put on
her dress and went downstairs. At the door she paused for a moment and
looked back at Alix.
'I say, Al--I'm awfully sorry. I didn't mean to be a sneak, you know; I
_wouldn't_ have, if I'd known.'
'Not a bit,' Alix absurdly and politely murmured.
'Well, do get a move on and come down. It's too cold for anything up
here.... I say'--Evie paused awkwardly--' I say, kiddie, you didn't
really _care_, did you?'
Alix shook her head. 'Oh no.' Still her voice was small, polite, and
attenuated.
'Well then,' said Evie cheerfully, 'no harm's done to any one. But
still, it's not the style I like, a man that plays about first with one
girl, then another.... I'm going down.'
She went.
6
The cold made Alix shiver. She stiffly uncurled herself and got off the
bed. She brushed her hair before the glass. Her face looked back at her,
pointed and ghostly, in the gaslight and shadows.
'Cad,' whispered Alix, without emotion, to the pale image. 'Cad--and
liar.'
'It's the war,' explained Alix presently, with detached, half-cynical
analysis. 'I shouldn't have done that before the war. I suppose I might
do anything now. Probably I shall. There seems no way out....'
Alix had heard and read plenty of views on the psychological effects of
war; some of them were interesting, some were true; many were true for
some people and false for others; but she did not remember that even the
most penetrating (or pessimistic) had laid enough emphasis on the mental
and moral collapse that shook the foundations of life for some people.
For her, anyhow, and for Paul; and they surely could not be the only
ones. Observers seemed more apt to take the cases of those men and women
who were improved; who were strengthened, steadied, made more unselfish
and purposeful (that was the favourite word), with a finer sense of the
issues and responsibilities of life; or of those young sportsmen at the
front who kept their jollity, their sweetness, their equilibrium,
through it all. Well, no doubt there were plenty of these. Look at
Terry. Look at Dorothy and Margot at Wood End, in their new
strenuousness and ardours. They weren't demoralised by horror, or eaten
by jealousy like a canker. They could even minister to combatants
without envying them....
There were such. There might be many. But Alix looked at them far off,
herself a broken, nerve-wracked, frightened child, grabbing at other
people's things to comfort herself, ashamed but outrageous.
'There seems no way out,' said Alix, and looked, as she changed her
frock, down vistas of degradation.
Public-domain text, read in full here on John Shaqi.
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