They derive a curious comfort from the story of the reviewer for a
Boston journal who once described a musician as remaining seated through
a concert in the pensive attitude of Buddha contemplating his navel. It
is a story within whose implications lies all that has ever been said,
or ever will be said, about censorship. The copy-readers and make-up
men, it seems, could see nothing especially infamous in their reviewer's
little simile. As poor George Sampson said of the outraged Mrs. Wilfer's
under-petticoat: "We know it's there." At all events, the offending word
passed all the sentries and was printed as written, when, too late, it
caught the horrified eye of the proprietor. At the sight of so crassly
physical a term in the chaste columns of his own paper, he rushed to the
telephone at the club and called up the managing editor. That word must
come out. But the paper was already on the presses. Even as they spoke,
these were whirling out copy after copy. Too late to reset? Yes, much
too late. But was there not still some remedy which would keep at
least part of the edition free from that dreadful word? Wasn't it still
possible to rout out the type at that point, to chisel the word away and
leave a blank? Yes, that was possible. So the presses were halted, the
one word was scraped out, the presses whirred again and the review, with
a gape in the line, went up and down Beacon Street. Whereat Boston
that night shook with a mighty laughter--the contented laughter of the
unregenerate.
THE ORACLE THAT ALWAYS SAYS "NO"
[Illustration: The Periscope of the Author of the Mirrors of Washington
is turned toward the Great Negative Oracle.]
THE AUTHOR OF "THE MIRRORS OF WASHINGTON"
Has anyone ever stopped to think what the nonsenseorship would do to our
suppressed desires? A little while ago suppressed desires were one's own
affair. One fondled them in the skeleton closet of his consciousness
and was as proud of them as anyone with a haunted house is of his right,
title and interest in a ghost.
They proved to him that though he went to church on Sunday and was
respectably married to only one woman, he was really beneath his correct
exterior a whale of a fellow, who might have been, had he but let
himself go, a Casanova or at least a Byron. He patted himself on the
back for keeping unruly instincts in subjection. He applauded himself
for what he might be and for what he was. He got it coming and going. It
was a pleasant age.
But now is he permitted to have his own secret museum of virility? I
speak only of the sex which has my deepest sympathy.
Public-domain text, read in full here on John Shaqi.
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