Nooks and Corners: being the companion volume to 'From Kitchen to Garret'Panton, J. E. (Jane Ellen)
General
Nooks and Corners: being the companion volume to 'From Kitchen to Garret'
Panton, J. E. (Jane Ellen)
Home economics
No colour lights up so well as yellow--I am quite sure of that; and
another decoration could be made from the yellow ‘Othmar’ paper sold by
Essex, all cream paint, and a frieze of chrysanthemums, either painted
by hand, or else of the excellent printed design sold by Haines at 3_s._
6_d._ the yard. With this the carpet should be red, and the curtains
should either be of a brocade which introduces the shades in the
flowers, or else of a cretonne: all would depend on how much money there
was to spend; but whether cretonne or brocade is used, it must match the
frieze in some measure. Though great cornices and vast pier-glasses over
mantel-pieces are entirely out of date, and will never, I trust, return
into fashion, there are still some unfortunates who labour under these
possessions, and who dare not rid themselves of them, much as they would
like to do so, and who may be glad to learn how these horrors may in
some measure be mitigated. All cornices become less repulsive directly
they are Aspinalled ivory. I cannot tell why, but this seems to
metamorphose them at once, and makes them quite ornamental, while the
frame of the glass can be treated in the same manner, unless the frames
are quite flat, in which case they should be covered with brocade, in
the same manner in which the fashionable frames for photographs are now
managed. In any case, all the heavy flourishes and ‘ornaments’ should be
removed, and the glass made in every way as plain and unobtrusive as
possible. Draping with muslin, or even with Liberty silk, is never
successful, and only makes the object draped like one of the
lodging-house possessions, carefully guarded in a similar manner by the
careful landlady from the encroachments of the flies, and is therefore
much to be avoided.
Never, no matter what the time of year, put it out of your power to have
a fire, should you so desire it. I still cling to the Japanese umbrella,
and have never found a substitute for it which is so absolutely
satisfactory. If its stick is properly cut it hides the wood and coal
and grate entirely, and gives a bright spot of colour, and can be
removed at once. A curtain hung straight down from a slight rod just
under the top of the grate itself looks very neat, as does a series of
rings to hold flower-pots, just brought out by Hamilton, of the Quentin
Matsys Forge, York Street, Westminster. This holds twelve pots of
flowers, and can be lifted out in a moment altogether should a fire be
required, and would always look well put down in a corner of the room.
One of the Guild brocade screens with miniatures answers well too, and
Giles has invented from my description a fireplace cabinet, which, put
under the wooden mantel-piece--which is _de rigueur_ in an artistic
house--continues the mantel and overmantel decorations, and makes the
whole appear like a good cabinet for books, china, and flowers. This can
also be removed in a few minutes, and either hung on the wall or placed
in a corner of the room.
Public-domain text, read in full here on John Shaqi.
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