Nooks and Corners of Lancashire and Cheshire.: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.Croston, James
History
Nooks and Corners of Lancashire and Cheshire.: A Wayfarer's Notes in the Palatine Counties, Historical, Legendary, Genealogical, and Descriptive.
Croston, James
Cheshire (England); Lancashire (England)
A pleasant rural lane leads up from the station at Kent’s Bank to
Allithwaite, a little straggling village, the inhabitants of which
contrive to earn a scanty livelihood by fishing and “cockling” upon
the sands. Steep banks rise on each side, festooned with plumy
ferns and wild flowers, crested with spiked thorn-bushes, scrubby
hazels, and spreading ash-trees, that wave their shadowy branches
overhead. The honeysuckle spreads its delicious perfume around, and
as we saunter leisurely along the sunlight glints through the leafy
openings, shooting down long arrowy rays, that here brighten with
golden touches the gnarled and knotted stem of a sturdy oak, and there
light up a churlish bramble, like a woman’s radiant smile reflecting
its cheeriness upon some worthless Caliban. On the left is Kirkhead, a
lofty knoll, crowned with a prospect tower—Barrow’s summer-house, as
it is called—from the summit of which there is a view that well repays
the labour of ascent. Wraysholme’s ruined tower, whither we are wending
our way, is but a short mile distant, and as we have a long summer
afternoon before us, we may wander at our will. Having mounted the
breezy hill, we lie down on a cushion of soft grass at the foot of the
building to gaze upon the scene, listening the while to the wild bird’s
song and the hoarse melody of the fitful sea.
The wide expanse of Morecambe Bay lies before us like an out-stretched
panorama, in which every jutting headland, every indentation, and every
crease in the green hills can be distinctly traced. Far below us a long
stretch of shore runs out; an old boat lies upon its side, chained to
a miniature anchor; children are disporting themselves round it, and a
few bare-legged fishermen are busy arranging their long nets, for the
tide is not yet in, though we can see where the crafty silent sea comes
stealing up from the south, each delicate wavelet, as it breaks upon
the yellow sand in a white line of surge, creeping nearer and nearer
to the beach. The softest of summer breezes plays upon the water,
breaking it into innumerable ripples that dance and glitter in the
mellow light. Here and there a few cloud shadows fleck the surface. A
soft summer haze, like an ocean of white mist, hangs in mid distance,
and where it lifts, shows little patches of the blue of heaven beyond.
A broad streak of light marks the line of the horizon where sea and sky
blend together. A solitary white sail glints in the blaze of sunlight,
one or two fishing boats with red-brown sails spot the sea with
colour, and far away a long line of black smoke shows where a steamer
is rapidly ploughing its way towards the Irish coast. Sheltering in
quiet beauty in the little cove below is Kent’s Bank, its buildings,
dwarfed by the intervening space, looking like a group of children’s
toys. Grange is hidden behind the projecting ridge of rock; but Holme
Island, with its pretty little marine temple, stands well out from the
Public-domain text, read in full here on John Shaqi.
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