repute, though Pepys does not speak highly of his ability, saying his
works were silly and tedious.[30] His eccentric wife had also literary
inclinations, and wrote, among other things, a high-flown biography of
her spouse, which the Diarist said showed her to be "a mad, conceited,
ridiculous woman, and he an asse to suffer her to write what she writes
to him and of him." This romantic and theatrical lady was one of the
sights of London when she came to town in her extravagant and antiquated
dress, and always had a large crowd around her. The practical joke
played upon her at the ball at Whitehall, mentioned in de Gramont's
_Memoirs_, is amusing, but commands our sympathy, and is a specimen of
the bad taste of Society at the time.
The romantic situation of the castle, perched upon a steep promontory
overlooking a dense mass of trees, must have been quite to the old
duchess's taste; and one can picture her walking in state in the curious
old gardens as she appears in her theatrical-looking portrait at
Welbeck. According to local tradition there is a subterranean passage
leading from the castle to the church, which was formerly entered by a
secret staircase running from the servants' hall; and there are stories
of a hidden chapel beneath the crypt, and ghosts in Elizabethan ruffles.
The Cavendish Chapel in the church was erected by Bess of Hardwick's
younger son, Sir Charles Cavendish, father of the first Duke of
Newcastle, and contains his tomb, a gorgeous Jacobean monument.
[Illustration: GARLANDS, ASHFORD CHURCH.
(_Photo by Rev. J. R. Luxmoore._)]
Public-domain text, read in full here on John Shaqi.
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