Some three miles to the west of Worsborough is Wentworth Castle (a
successor to the older castle, the remains of which stood on the high
ground above), called by some Stainborough Hall to distinguish it from
Wentworth Woodhouse. The historic house stands high, commanding fine
views, but marred by mining chimney-shafts on the adjacent hills. The
exterior of the mansion is classic and formal, and exteriorly there is
little older than the time of George I.; the interior, however, takes us
back another century or more, and the panelled porters' hall and carved
black oak staircase were old when powdered wigs were introduced. In
Queen Anne's State rooms and in the cosy ante-chambers there are rich
tapestries, wonderful old cabinets, and costly china, reminding one of
the treasures of Holland House. But the finest room is the picture
gallery, one hundred and eighty feet in length and twenty-four feet in
breadth, and very lofty. The ceiling represents the sky with large gold
stars, and has a curious effect of making it appear much higher than it
really is. It belongs to the time of the second Earl of Strafford, who
built all this part of the house. The unfortunate first earl looks down
from the wall with dark melancholy eyes: a face full of character and
determination, and different vastly from the dreamy weakness revealed in
the profile of the sovereign who cut his head off. The despotic ruler of
Ireland is said to walk the chambers of the castle with his head under
his arm, which, strangely enough, seems to be the fashion with
decapitated ghosts; and Strafford is a busy ghost, for he has to divide
his haunting among two other mansions, Wentworth Woodhouse and Temple
Newsam. Here is Oliver, too, who made as great a mistake as Charles did
by resorting to the axe. The young Earl of Pembroke looks handsome in
his long fair ringlets; and so does the youthful Henrietta, Baroness
Wentworth (a pretty childish figure fondling a dog), whose end was every
way as tragic as her kinsman's.
Many of the bedrooms are named after birds and flowers, a pretty idea
that we have not met elsewhere. The colour blue predominates in those we
call to mind, namely, the "Blue-tit room," the "Kingfisher room," the
"Peacock room," the "Cornflower room," and the "Forget-me-not room."
Just outside the park, near a house that was formerly kept as a
menagerie, is a comfortable old-fashioned inn, the "Strafford Arms,"
the landlord of which was butler to two generations of the
Vernon-Wentworths, and in consequence he is quite an authority on
genealogical matters; and where his memory does not serve, has Debrett
handy at his elbow. Being a Somersetshire man he has brought the
hospitality of the western counties with him to the northern heights. He
points with pride to the cricket-ground behind the inn, the finest
"pitch" in Yorkshire.
[Illustration: TOMB, DARFIELD CHURCH.]
Public-domain text, read in full here on John Shaqi.
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