A few miles to the north-west is the grand old mansion, Temple Newsam.
Like Hatfield House, which in many respects it resembles, it is built of
red-brick with stone coigns, and the time-toned warm colour is
acceptable in this county of grey stone. It was built like many
so-called Elizabethan houses in the reign of James I., and, like Castle
Ashby, has around the three sides of the quadrangle a parapet of letters
in open stone work which runs as follows: "All glory and praise be given
to God the Father, the Son, and Holy Ghost on high, peace on earth,
goodwill towards men, honour and true allegiance to our gracious king,
loving affections amongst his subjects, health and plenty within this
house." The loyal sentiments are not those of Mary Queen of Scots'
husband, Lord Darnley, who was born in the earlier house, but of the
builder, Sir Anthony Ingram, who bought the estate from the Duke of
Lennox. Of all the spacious rooms, the picture gallery is the finest.
It is over a hundred feet in length and contains a fine collection of
old masters and some remarkable china. Albert Durer's hard and
microscopic art is well represented, as well as the opposite extreme in
Rembrandt's breadth of style. But the gem of all is a head by Reynolds
(of, we think, a Lady Gordon), a picture that connoisseurs would rave
about. A small picture of Thomas Ingram is almost identical with that of
the Earl of Pembroke we have mentioned at Wentworth Castle. In one of
the bedrooms (famous for their tapestry hangings and ancient beds) are
full-length portraits of Mary Queen of Scots, Queen Elizabeth, and James
I., the first like the well-known portraits at Hardwick and Welbeck. On
one of the staircases is an interesting picture of Henrietta, Duchess of
Orleans, in a turban, with the favourite spaniel who appears in many of
her portraits. She holds in her hand the picture of her lord and master,
the duke who was so jealous of her. A new grand staircase with
elaborately carved newels, after the style of that at Hatfield, has been
added to the mansion recently, and harmonises admirably with its more
ancient surroundings.
Public-domain text, read in full here on John Shaqi.
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