The walls of the Norman castle keep are of immense thickness, and
protected without by others almost as formidable of a later date. The
great hall was on the first floor, and the tower where little Edward
Plantagenet was born (the Red Tower) at the south-west corner; but
tradition hasn't kept alive much to carry the imagination back to the
time when the powerful Nevill reigned here in his glory. The escape of
Edward IV. has been made realistic in the immortal bard's _King Henry
VI._, and Scene v. Part iii. might be read in less romantic spots than
in Wensleydale, with this grand old ruin standing out in the distance
like one of Dore's castles. In this case, distance "lends enchantment,"
as Middleham itself is by no means lovely. The ancient market-cross
would look far less commonplace and tomb-like were the top of it again
knocked off. The site of the swine market bears the cognosance of
"Crouchback," which is scarcely a compliment to his memory; but this
antique monument is put vastly in the shade by a jubilee fountain, the
only up-to-date thing in the place, and quite out of harmony with the
ring where bulls were baited within living memory.
In Spennithorne church, near Middleham, there is an ancient altar-tomb
of John Fitz-Randolph, of the family of the early lords of the castle
before the Nevills became possessed of it. Along the font are several
coloured shields of arms of the various families with whom they
intermarried. The nave of the church has an odd appearance, as the north
and south aisles are separated by a series of distinct arches, the
latter Early English, the former pure Norman. A very interesting
thirteenth-century screen was originally at Jervaulx Abbey. On the west
wall there is a large fresco of Father Time, dating perhaps two hundred
years later. The rector must be commended for hanging in his church a
brief summary of the points of interest, and many might follow this
laudable example.
[Illustration: QUEEN'S GAP, LEYBURN "SHAWL."]
[Illustration: BOLTON CASTLE.]
[Illustration: BELLERBY OLD HALL.]
Public-domain text, read in full here on John Shaqi.
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