The conversation gives but an idea of the systematic way that a crusade
for the antique is carried on. If the hunter makes a "find," and the
owner will not part, that unfortunate cottager is persecuted until he or
she does part, sooner or later to regret the folly. And, alas! churches
are not even sacred from these sharks. How often have we not seen some
curious piece of furniture mentioned as being in the church, and, lo! it
has vanished--where? And do not the empty brackets over many an ancient
tomb tell a tale? What have become of the helmets of the ancient lords
of the manors? We can quote an instance offhand. In the fine old church
of Bromham, three of the helmets of the manorial lords, the Bayntons,
are still there, two of them perhaps only funereal helmets, and not the
actual casques of warfare; but there are three if not four vacant
brackets which perchance once supported the envied headpieces with
pointed visor of the fifteenth century. Aloft also are some rusty
gauntlets, and one of the helmets still bears the crest of the eagle's
head. The manor descended from the Beauchamps to the Bayntons, the last
of whom was the nineteenth in descent from Sir Henry Baynton, Knight
Marshal of the household to Henry the Second. His mother was the eldest
daughter and co-heiress of John Wilmot, Earl of Rochester, and Miss
Malet the runaway heiress. A recumbent effigy of Sir Roger Touchet in
alabaster (resembling in a remarkable degree the late Sir Henry Irving
as Richard III.) is covered with the carved initials of vandal visitors,
not, we may add, only of our own and fathers' and grandfathers' time,
but dating back from the reign of Elizabeth; so it is comforting to see
that our ancestors were as prone to disfigure monuments in this way as
is the modern 'Arry. One of the initials, I. W., perhaps may be that of
the witty and wicked Earl of Rochester, who by repute made Spye an
occasional residence, although the Bayntons certainly held the estate
some years after the Lady Anne, his daughter's death in 1703. The
ceiling of the Baynton chapel is richly carved, and the bosses and
brackets show their original faded colouring of blue and gold. There are
also coloured niches for saints; and on a canopied tomb of Elizabeth
Touchet, a brass of a kneeling figure, and a tablet of the coat of arms
is enamelled in colours. There also is a fine brass of John Baynton in
Gothic armour.
[Illustration: GATE-HOUSE, SPYE PARK.]
Public-domain text, read in full here on John Shaqi.
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