Nooks and Corners of PembrokeshireTimmins, H. Thornhill (Henry Thornhill)
History
Nooks and Corners of Pembrokeshire
Timmins, H. Thornhill (Henry Thornhill)
Pembrokeshire (Wales) -- Description and travel
One day during the course of the siege, a servant-maid was standing at
an open casement in the eastern bastion with Sir Erasmus, the infant
heir, upon her arm; when a Parliamentary trooper rode up with a flag of
truce, and presented a letter at the window. No sooner had the maid
reached forward to take the missive, than, raising himself in the
saddle, the soldier snatched the child from the nurse's arms, drew his
sword, and threatened to slay the hope of Picton upon the spot, unless
the castle were instantly surrendered.
Though much altered and extended in comparatively modern times, Picton
Castle still presents an imposing and dignified appearance; especially
when viewed from the south-east side, whence our sketch is taken.
The entrance front (which is by far the oldest portion of the
structure) retains the deeply-recessed portal, the rounded arches,
quaint, archaic corbel-heads and narrow windows, that mark the enduring
handiwork of the original Norman builders. Above the massive entrance
porch rise the deep-set windows of the chapel; the handsome painted
glass with which they are adorned, forming an appropriate memorial to a
member of the family of Sir Charles and Lady Philipps, whose tragic
death, in 1893, aroused the deep sympathy of the entire county.
Rounded bastions project at intervals from the main structure, which is
of an oblong form, with a lofty wing flanking its western end. The moat,
having no purpose to serve in these piping times of peace, has long
since been filled up; and its place is now occupied by pleasant walks
and _parterres_, varied by luxuriant shrubberies.
The interior of the castle contains numerous suites of apartments,
disposed around a handsome and spacious hall, from whose lofty walls
historic family portraits of various styles and periods look down upon
the beholder.
At one end of the hall is a gallery communicating with the private
chapel above mentioned; and several quaint, old-fashioned chambers,
whose solid circular walls are of enormous thickness. The panelled
floors and ceilings of these apartments are worthy of notice, as are
their white marble chimney-pieces, delicately wrought in the Italian
manner. From the recesses of the deep-set windows, we command a lovely
prospect over the rich rolling woodlands of the park, encircled by a
silvery reach of the Cleddau towards Landshipping Ferry.
Passing along the green alleys of the home-wood, we presently emerge
upon a stretch of breezy downland, and forge ahead through whispering
bracken and heather; while the sound of a woodcutter's axe and the
distant bleating of sheep float lazily hitherward upon the calm, clear
air.
Thence we plunge into a shadowy belt of greenwood that fringes the
waterside; nor until we are nearing Slebech do these woodland glades
roll back, and give place to the more open scenery of Baron de Rutzen's
beautiful demesne.
[Illustration: SLEBECH CHURCH.]
Public-domain text, read in full here on John Shaqi.
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