Bitterley church and the old Court-house, with some noble trees in the foreground and Titterstone towering behind, make a pleasing rural picture as we draw near; and, upon passing through the wicket and entering the green sanctuary, we come in sight of the beautiful churchyard Cross shewn in the adjoining sketch. It dates from the Decorated period, the slender shaft rising from a flight of worn, mossy steps, and bearing aloft the four-sided head, or finial, in whose crocketed niches some mouldering fragments of sculptured work may still be discerned. This Cross is one of the finest of its kind in England. The church itself is of Norman origin, though much altered in later times. The best features of the interior are a fine arcaded Norman font, a curious old lectern and iron-bound muniment chest, and slight remains of a traceried oak roodscreen. Beyond Bitterley church the country opens out towards the unenclosed flanks of Titterstone Glee Hill: 'Those mountains of commande The Clees, like loving twins, and Stitterstone that stande Transevered,' --as the poet Drayton hath it. So, putting the best foot foremost, we have a lung-expanding tramp for the next half-hour amidst heather and waving brake-fern, winning our way at last to a fine view point dubbed the Giant's Chair. The outlook hence on a fine summer's day is a thing to be remembered. Wide and varied as is the prospect, the gem of it all, perhaps, is the charming bird's-eye view of old Ludlow town, down in the vale at our feet, its warm-grey towers and house-roofs nestling beneath the verdant slopes of Whitcliff, which in their turn are overtopped by the brindled heights of Bringwood Chase, stretching away towards the blue Welsh hills where the horizon meets the sky. [Illustration: Crow Leasow.] Having spied out the land from this lofty eyrie, we plunge down again through the breast-high bracken, and then, working our way by cross-country lanes, come presently to Crow Leasow. Crow Leasow is a substantial brick farmhouse dating from the early days of the seventeenth century. Its weatherbeaten front has some good moulded brickwork about the doorway, eaves and gables, and a bulky chimney-stack projects towards the northern end. The massive doors and thick beams and rafters of the interior look quite in character; while a gigantic oak tree, of enormous girth but hollow within, flings its vast limbs athwart the greensward before the entrance way. In bygone days Crow Leasow belonged to a family of the name of Shepheard, who lived here for five successive generations, and were probably the builders of the existing house.