The stiff, high-backed pews have a little carved work upon them, with the following inscription: EDWARD . BALL . OF . LONDON . GAVE . THIS . PULPIT . & . PEWES . TO . THIS . PARISHE . WHEARE . HE . WAS . BORNE . IUNE . 28 . ANNO . DOMINI . 1623. [Illustration: Hour-Glass at Easthope Church.] Yonder is the old carved oak pulpit; and upon it hangs the ancient hour-glass, a relic of bygone days. As shewn in our sketch, the hour-glass is enclosed in a sort of cage, or basket, of wrought and twisted iron, from which projects a banner-like sheet of metal ornamented with nicely fashioned fleurs-de-lys, a heart, and the letters S, S, and surmounted by the figures 1662, indicating the year it was made. Hour-glasses were much in vogue amongst the Covenanters; but although one sometimes meets with the cage, or holder, in country churches, it is rare to find the glass itself in situ as we see it here. A plain, massive oak roodscreen spans the church, which, besides other antiquated features, has a 'leper' window with fifteenth-century hinge, a bowl-shaped font, and two good Queen Anne chairs in the chancel. A short mile out of the village stands Lutwyche Hall, the beautiful seat of the Bensons, charmingly situated in an umbrageous nook of the Edge, and surrounded by terraced gardens set about with noble forest trees. Though considerably modernized, the mansion is of ancient origin, as is attested by the date 1587 inscribed upon its front; and there is a rare old plaster ceiling in the entrance hall. The early British camp on a neighbouring hill was probably an outwork, linking up Caer Caradoc with Nordy Bank. Setting our faces toward Wenlock, we now follow a high-lying ridgeway road commanding fine views in the direction of the west. Anon we strike into one of the numerous footpaths that zigzag down through the woods, and make for a sort of cave, or rather cranny, high up in the limestone rocks of the Edge, amidst tumbled boulders and brushwood. This is Ippikin's Rock, the haunt of a robber knight of that ilk, whose deeds were famous in days of yore throughout all this countryside. Here, as the story goes, Ippikin was wont to foregather with his merry men all; issuing forth and levying blackmail on passing travellers, and hiding the stolen treasure in these rocky fastnesses, where the print of the knight's gold chain, it is said, may still be seen. Strange lights, twinkling like Will-o'-the-wisps at dead of night, struck terror into the hearts of the country folk as they gazed in fear and trembling from the rustic homestall, while Ippikin and his crew held high revelry in their unapproachable eyrie. Eventually Ippikin himself was slain, and his band dispersed, so that they troubled the King's peace no more. But if tales be true his ghost still 'revisits the glimpses of the moon,' and may be summoned from the vasty deep by anyone who cares to stand atop of the cliff at midnight, and cry three times: