Nooks and Corners of the New England CoastDrake, Samuel Adams
History
Nooks and Corners of the New England Coast
Drake, Samuel Adams
New England -- Description and travel
This pudding-faced, sanctimonious, yet merciless judge had listened to
the heart-broken appeals of the victims, raising their manacled hands to
heaven for that justice denied them upon earth. "I have got nobody to
look to but God." "There is another judgment, dear child." "The Lord
will not suffer it." Others as passionately reproached their accusers,
but all were confounded, because all were believers in the fact of
witchcraft.[147]
Whether Witch Hill be the first or last place visited, it is there Salem
witchcraft culminates. There is seen, in approaching by the railway from
Boston, a bleak and rocky eminence bestrown with a little soil. Houses
of the poorer sort straggle up its eastern acclivity, while the south
and west faces remain as formed by nature, abrupt and precipitous. The
hill is one of a range stretching away northward in a broken line toward
the Merrimac. On the summit is a tolerably level area of several acres.
Not a tree was growing on it when I was there. The bleak winds sweep
over it without hinderance.
On the 19th of July, 1692, an unusual stir might have been observed in
Salem. We may suppose the town excited beyond any thing that had been
known in its history. The condemned witches, Sarah Good, Sarah Wildes,
Elizabeth Howe, Susannah Martin, and Rebecca Nurse, are to be hanged on
Gallows Hill.
The narrow lane in which the common jail is situated is thronged with
knots of men and women, wearing gloomy, awe-struck faces, conversing in
under-tones. Before the jail door are musketeers of the train-band,
armed and watchful. The crowd gives way on the approach of a cart that
stops in front of the prison door, which is now wide opened. On one side
stands the jailer, with ponderous keys hanging at his girdle; on the
other is the sheriff, grasping his staff of office. The guard clears a
passage, and then the sheriff's voice is heard calling upon the
condemned to come forth.
There are five of them, all women. They look pale, haggard, despairing.
At sight of them a murmur ripples through the crowd, succeeded by solemn
stillness. As they mount the cart with weak and tottering steps--for
some are old and feeble and gray-haired--audible sobs are heard among
the by-standers. Men's lips are compressed and teeth clenched as they
look on with white faces. All is ready. The guard surrounds the cart, as
if a rescue were feared. It takes a score of strong men, armed to the
teeth, to conduct five helpless women to death!
I suppose there were outcries, hootings, and imprecations, as is the
rabble's wont. If so, I believe they were borne with the resignation and
heroism that make woman the superior of man in supreme moments. At last
the cavalcade is grouped around the place of execution. The gallows and
the fatal ladder are there, grotesque yet horrible. To each of those
five women they meant martyrdom, and nothing less.
Public-domain text, read in full here on John Shaqi.
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