Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
By the creation the elements are separated. Ymer’s body is parceled out;
organic life begins. But the chaotic powers, though conquered, are not
destroyed; a giant escapes in his ark with his family, and from them
comes a new race of giants. Disturbing and deadly influences are
perceptible everywhere in nature, and these influences are represented
by the hostile dispositions of the giants toward the asas and of their
struggles to destroy the work of the latter. The giants have been forced
to fly to Jotunheim, to Utgard, to the outermost deserts beyond the sea;
but still they manage to get within Midgard, the abode of man, and here
they dwell in the rugged mountains, in the ice-clad jokuls and in the
barren deserts, in short, everywhere where any barrenness prevails.
Their agency is perceptible in the devastating storms caused by the
wind-strokes of Hræsvelger, the giant eagle in the North; it is felt in
winter’s cold, snow and ice, and in all the powers of nature which are
unfriendly to fruitfulness and life.
The golden age of the gods, when
On the green they played
In joyful mood,
Nor knew at all
The want of gold,
Until there came
Three giant maids
From Jotunheim,
represents the golden age of the child and the childhood of the human
race. The life of the gods in its different stages of development
resembles the life of men. Childhood innocent and happy, manhood brings
with it cares and troubles. The gods were happy and played on the green
so long as their development had not yet taken any decided outward
direction; but this freedom from care ended when they had to make dwarfs
and men, and through them got a whole world full of troubles and
anxieties to provide for and protect,—just as the golden age ends for
the child when it enters upon the activities of life, and for the race,
when it enters into the many complications and cares of organized
society. The gods played with pieces of gold. The pure gold symbolizes
innocence. These pieces of gold (_gullnar töflur_) were lost, but were
found again in the green grass of the regenerated earth. From the above
it must be clear that the three giant maids, who came from Jotunheim and
put an end to the golden age, must be the norns, the all-pervading
necessity that develops the child into manhood. It does not follow,
therefore, that these maids were giantesses, for the gods themselves
_descended_ from the giants. Nor did the norns introduce evil into the
world, but they marked out for the gods a career which could not be
changed; and immediately after the appearance of the maids from
Jotunheim the gods must create man, whose fate those same norns would
afterwards determine.
The gods did not create the dwarfs, but only determined that they were
to have the form and understanding of men.
Public-domain text, read in full here on John Shaqi.
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