Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpretedAnderson, Rasmus Björn
Religion
Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted
Anderson, Rasmus Björn
Mythology, Norse; Northmen -- Religion; Old Norse literature; Tales, Medieval
Such was the end of this man, whose death was as extraordinary as his
life. It has been contended by many learned men that a desire of being
revenged on the Romans was the ruling principle of his whole conduct.
Driven by those enemies of universal liberty from his former home, his
resentment was the more violent, since the Goths considered it a sacred
duty to revenge all injuries, especially those offered to their
relations or country. He had no other view, it is said, in traversing so
many distant kingdoms, and in establishing with so much zeal his
doctrines of valor, but to arouse all nations against so formidable and
odious a nation as that of Rome. This leaven which Odin left in the
bosoms of the worshipers of the gods, fermented a long time in secret;
but in the fullness of time, the signal given, they fell upon this
unhappy empire, and, after many repeated shocks, entirely overturned it,
thus revenging the insult offered so many ages before to their founder.
The Sagas paint Odin as the most persuasive of men. Nothing could resist
the force of his words. He sometimes enlivened his harangues with
verses, which he composed extemporaneously, and he was not only a great
poet, but it was he who taught the art of poetry to the Norsemen. He was
the inventor of the runic characters, which so long were used in the
North. This marking down the unseen thought that is in man with written
characters is the most wonderful invention ever made; it is almost as
miraculous as speech itself, and well may it be called a sort of second
speech. But what most contributed to make Odin pass for a god was his
skill in magic. He could run over the world in the twinkling of an eye;
he had the command of the air and the tempests, he could transform
himself into all sorts of shapes, could raise the dead, could foretell
things to come, could by enchantments deprive his enemies of health and
strength and discover all the treasures concealed in the earth. He knew
how to sing airs so tender and melodious, that the very plains and
mountains would open and expand with delight; the ghosts, attracted by
the sweetness of his songs, would leave their infernal caverns and stand
motionless around him.
But while his eloquence, together with his august and venerable
deportment, procured him love and respect in a calm and peaceable
assembly, he was no less dreadful and furious in battle. He inspired his
enemies with such terror that they thought they could not describe it
better than by saying he rendered them blind and deaf. He would appear
like a wolf all desperate and biting his very shield for rage, he would
throw himself amidst the opposing ranks, making around him the most
horrible carnage, without receiving any wound himself. Such is the
historical Odin of the North, such was, in other words, the great
example that the Norsemen had to imitate in war and in peace.
SECTION IX. ODIN’S WIVES.
Public-domain text, read in full here on John Shaqi.
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