bad practice to borrow when we can get along without it, besides the products of the south thrive not well in our northern Gothic soil and climate. Ygdrasil grows better here, and that is a tree large enough and fruitful enough to sustain the Gothic race with enthusiasm and inspiration for centuries yet to come, and to supply a a whole race of future bards and poets and artists with a precious and animating elixir. Our next generation will comprehend this. Footnote 73: How Skade came to choose Njord when she was permitted to choose a husband among the gods, seeing only their feet, was related on page 277. Footnote 74: Rocky islands. CHAPTER VII. THE DEVELOPMENT OF EVIL. LOKE AND HIS OFFSPRING. SECTION I. LOKE. We have now made an acquaintance with the lives and exploits or the good and propitious divinities, with the asas and vans. But what of the evil? Whence come they, and how have they been developed? Many a philosopher has puzzled his brain with this vexed question, and the wisest minds are still engaged in deep meditations in regard to it. It is and will remain an unsolved problem. But what did the old Goths, and particularly our Norse forefathers, think about the development of evil? What forms did it assume among them? How did it spring forth in nature, and how did it impress the minds and hearts of the people? These are questions now to be answered. There are in the Norse mythology two individuals by the name of Loke. The one is _Utgard_-Loke, hideous in his whole being, and his character was sketched in the myth about Thor and Skrymer (see pp. 312-322); he represents physical and moral evil in all its naked loathsomeness. The other is _Asa_-Loke, of whom there also have been accounts given at various times in connection with the propitious gods; and it is of him solely we are now to speak, as the former belongs wholly to the race of giants. Asa-Loke, whom we shall hereafter call by his common name, Loke, is the same evil principle in all its various manifestations; but as he makes his appearance among the gods, he represents evil in the seductive and seemingly beautiful form in which it glides about through the world. We find him flowing in the veins of the human race and call him sin, or passion. In nature he is the corrupting element in air, fire and water. In the bowels of the earth he is the volcanic flame, in the sea he appears as a fierce serpent, and in the lower world we recognize him as pale death. Thus, like Odin, Loke pervades all nature. And in no divinity is it more clear than in this, that the idea proceeding from the visible workings of nature entered the human heart and mind and there found its moral or ethical reflection. Loke symbolises sin, shrewdness, deceitfulness, treachery, malice, etc. Loke is indeed in his development one of the profoundest myths. In the beginning he was