Cattle drives -- Fiction; Texas -- Fiction; Western stories
They stepped to the front of the saloon and stood looking up and down
the street. Some forty yards away a sign hung out over the walk: “Dance
Hall and Saloon.”
“I’ll take the right-hand O,” said Hickok quietly.
With the ease of great practice and native genius—and all the Army men
rated Hickok as the best shot with rifle or revolver that the West ever
saw—he raised one of his weapons to a high level and fired the six
shots of the single-action piece with unspeakable rapidity. He carefully
returned the gun to its place. He did not look at the sign. He knew!
“That’s fine work, sir,” said Dan McMasters with undisguised enthusiasm.
“Your reputation is deserved. Quite often I doubt a man’s reputation as
a shot until I see him shoot.”
“How about your own?” demanded Hickok. “I myself never shoot in public.
I don’t want anybody to know how I shoot.”
“Nor I. My reputation? I haven’t any this far north.”
“Well, there’s the left-hand O. Can you see the one I shot?”
“Perfectly,” smiled McMasters.
“You’ve a good eye. Can you hit it one time out of six?”
“I can hit it six times out of six, sir.”
“You think so?”
“I don’t think so—I know it.”
“Cut loose!” said Bill succinctly.
For an instant McMasters stood facing his mark, both hands poised above
his heavy guns after his invariable fashion, which had swiftly become a
tradition on the lower range. Hickok did not really see which gun he
chose, his own eye for the time being fixed on the signboard. But a gun
did rise in Dan McMasters’ right hand. And once more, with perfect
spacing, came six reports.
By this time a crowd had poured out in the streets. Men were at their
heels as the two walked close to the signboard. Wild Bill saw the six
bullets grouped close, splintering one into the other at times, not one
touching the outer rim of black.
His own eyes narrowed. He looked curiously, studiously, at the face of
the first man he had ever been obliged to credit with pistol work
approaching his own. The face had changed. It had not lost its
concentration. It was a mask, expressionless. Hickok studied the mask
for a moment. He saw in it his own face also. He put a hand on
McMasters’ shoulder.
The two turned down the street, Hickok flinging back his long yellow
hair in a gesture habitual with him.
“Take a good look at the work on them two signs, men,” said he,
accosting the curious followers. “You ain’t apt to see better. This man
and I are going to see peace and quiet in Abilene. He’s my friend and my
deputy.
“I didn’t think the man lived that could do it,” said he to McMasters as
they walked away together. “Your six are bunched as good as mine, and
your time is perfect. Come on down to the Cottage and let’s sit around
for a while.
Public-domain text, read in full here on John Shaqi.
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