devotion, in rescuing her from this castle of the son of a Scottish lord who fain would have made her his bride, before she, too, lay lifeless by the side of her brave rescuer, leaving her lover too despairing and desolate to seek safety in flight, so that the band of searchers from the castle, seeking their prisoner on the hills, and dreading their lord’s wrath on his return, bore him back with them to the dungeon. Their lord, however, had meantime been taken captive by Percy (Hotspur), who, as soon as he heard of Bertram’s capture, quickly exchanged the Scottish chief for his friend. Bertram’s sorrow lasted for the rest of his days; he gave away his lands and possessions to the poor, and retiring to a lovely spot on the banks of the Coquet, where rocky cliffs overhung the river, he carved out in the living stone a little cell, dormitory, and chapel, and dwelt there, passing his days in mourning, meditation, and prayer. In the chapel, with its gracefully arched roof, he fashioned on an altar-tomb the image of a lady, and at her feet the figure of a hermit, in the attitude of grief, one hand supporting his head and the other pressed against his breast, leaning over and gazing at the lady for ever. The poignant sentence “My tears have been my meat day and night,” is carved over the entrance to the little chapel. Here, in this beautiful spot, almost under the shadow of the castle walls belonging to his noble friend, the sorrowing knight, now a holy hermit, spent the remainder of his life in the little dwelling he had wrought in the living rock. It remains to-day more beautiful, if possible, than ever, overhung by a canopy of waving greenery, and draped with ferns and mosses, their graceful fronds laved by the rippling Coquet whose gentle murmurings fill the still air with music.