Antonio was in there, in the oppressive heat of that house decked
with furs--voluptuous, feline, like the lair of a tigress. It was all
so horrible that, even in her insensate dream, Regina could not think
of it. Only she saw the Princess dressed in black velvet, her thick
neck roped with pearls, her hands small and sparkling. And the small,
sparkling hands were caressing Antonio's beautiful head. And he was
silent; he had got used to these caresses.
This idea sufficed to produce in Regina an explosion of grief, which
quickly brought on reaction. She awoke from her delirium; thought
she saw all the folly of her doubt. None of it was true; none! Such
things only happened in novels. It was impossible that Antonio should
penetrate furtively into the old woman's house; impossible that his
wife should wait outside in the shadow of the corner, to make him a
comedy-scene when he came out. Ridiculous!
So the slow day wore on in what seemed physical anguish, more or less
acute according to moments, which often completely disappeared, but
left the memory of pain and the dread of its return.
Outside the feast of the sun continued, of the blue sky, of happy
birds. Now and then a passing carriage broke the silence of the
street with a torrent of noise. Then all was quiet again, save that
in the distance the continuous rumble of the city ebbed and flowed
like the swelling of the sea in an immense shell.
About two Caterina woke up and began to cry. Regina heard this
tearless, causeless weeping, and went to the nursery. It was papered
with white, and, against this shining background, the bronzed and
heavy figure of the nurse with the baby, naked and pink in her
hands, woke a new feeling in Regina. She seemed looking at a picture
which signified something. But now everything had acquired for her
a signification of reproach. That figure of a peasant mother, dark,
rough, sweet, like a primitive Madonna, reminded her of what she
ought to have been herself. She didn't even know how to be a mother
like the meanest of peasants! She was nothing. A parasite--nothing
but a parasite!
The nurse was dressing the child and talking to her in a "little
language." "_Pecchè quetto pianto?_ (What's all this crying about?)
What's the matter? Is little madam cold? Well, we'll put on her
lovely little shift, and then her lovely little socks, and then her
lovely little _shoosies_. Look! Look! What lovely little _shoosies_!
Go in, little foot! What? little foot won't go in? Oho, Mr. Foot,
that's all very fine, but in you go!"
Caterina, in her chemise, rosy and fat, with her hair ruffled, cried
still; but she looked with interest at her white shoes and stuck out
her foot.
"There's one gone in! Now the other. Let's see if this Mr. Foot is
as naughty as the other Mr. Foot. Up with him! No, this is good Mr.
Foot, and we'll give him a big kiss. Up!"
Public-domain text, read in full here on John Shaqi.
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