Regina started. The sun had gone down, clear in a clear sky, scarce
tinted by faint green and rose; an ashen light, gently sad-coloured,
fell over the picture. Regina rose docilely and followed the big
woman whose bronze countenance was framed by the aureole of a
wet-nurse's head-dress.
They walked and walked. Caterina slept on the nurse's powerful
shoulder, and the ashy-rose twilight threw its haze over Via Sistina.
The portly nurse swayed as she moved like a laden bark. Regina,
slender and rustling as a young poplar, followed automatically as
if towed by the big woman. When the latter stopped--and she stopped
before all the shop windows which showed necklaces and rings--Regina
also stopped, her looks veiled and vague.
The long torment of excitement had been succeeded by indefinable
torpor. She was walking in a dream. Years and years must have
rolled by since she had passed along Via San Lorenzo following the
bird-seller. Of all her emotions, now only a vague sadness remained.
She seemed no longer in doubt, but finally convinced of the monstrous
folly of her suspicion. Only she was unable to recover her accustomed
serenity.
Three lame musicians, standing before a gloomy house, sobbed out of
their old instruments a lament of supreme melancholy. The pavement
was crowded with elderly foreign ladies in hats of impossible
ugliness. From every cross-street sounded the warnings of motors.
Regina, being short-sighted, was always afraid of the motors,
especially in the twilight, when the last light of day was confused
in perilous dazzle with the uncertain brightness of the lamps.
To-night she was more nervous than usual. She felt as if monsters
were rampant through the city, howling to announce their passage.
Some fine day one of these monsters would overwhelm her and the baby
and the portly nurse, grinding them like grains of barley.
In Piazza Barberini, an old gentleman, stooping slightly, and wearing
an overcoat of forgotten fashion buttoned up tightly though the
evening was almost hot, passed close to Regina. She recognised the
Senator, Arduina's relation, and turned to speak to him; but his
ironical though kindly eyes were looking straight before him, and he
saw no one.
She had met him several times--once he had even come to visit
her--and each time he had talked about England and the English laws,
and the English women, repeating the refrain of his old song--"Work,
work, work! That is the secret of a good life."
Regina had ended by finding him tiresome, like any other old
monomaniac. One could get along very well, even without work; of
course one could! But to-night she watched the small, bent figure
tripping along, melting into the misty distance of the street, and
she thought it even more ridiculous than usual. Nevertheless, it
seemed to her that this little gnome-like figure had appeared, as in
a fable, to point the moral of her unhappy history.
Public-domain text, read in full here on John Shaqi.
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