"Shall we go back by Ponte Molle, or by the way we went the last
day?" asked Antonio.
"There might be a carriage down there, perhaps?" said Regina.
"To go back!" she thought, in profound desolation. "To take up our
life of deception and shame! No, I will not! I will not! It must not
go on!"
And at last she felt the courage to bring in the end that very day.
Her resolution calmed her. She seemed to lift her head, to open her
eyes, to see again round her the beauties of Nature, the purifier.
Just here the road broadened out. Never had she seen the Campagna so
beautiful, so splendidly and magically coloured. It seemed a picture
by a luminist painter--a green landscape with detached pines waving
against the dazzling background of crimson and gold, an exaggeration
of light, in whose intensity the figures of the passers-by, the
half-naked vendors of the spa water, the mounted soldiers, the
beggars lying in wait at the cross roads, stood out like bronze
statues.
Regina had taken her resolution, but at the cross roads it sufficed
her to note the angry movement with which Antonio flung a coin to the
beggars to understand that her husband was still offended, and to
revive her forlorn hope of his innocence.
They took the short cut. Up and down, up and down by a little path,
dark, fragrant, part warm grass, part sand. The Protestant pastor,
who seemed uncertain of the way, followed them.
The sun was sinking, silver on the gold horizon; over the flushed
grass, the shadows of the pines grew long; the eastern sky took
opaque tones--the ashy violet of a pastel. For a moment Regina could
have believed herself in the mountains. She could see no more than
the path mounting through grass to the low summit, all green against
the luminous void. Up and up! The free breath of spring restored
the natural colour to Antonio's face. Spring is intolerant of ugly
people. The countenance of the fair young minister became like a pink
peony, scarcely opened.
But here they were at the low summit, and from it appeared the azure
vision of the real mountains.
That day the picture of the Acqua Acetosa had a character almost
biblical. Men were sleeping on the grass beside their carts, in which
the load of flasks sparkled in the sun; women, children, many dogs,
a little black donkey, were all so still as to seem painted on the
green background of the Tiber; a line of scarce distinguishable sheep
were coming down to the river to drink; boats rocked softly among
the bushes of the bank. A soft breeze diffused the perfume of the
flowering elders.
While Antonio and Regina were descending the steps cut out on the
hillside, a carriage arrived laden with five foreign ladies wearing
the usual impossible little hats made of one ear of corn, a poppy,
and a bunch of gauze. The lady who got out last began a dispute with
the driver.
"Everywhere these horrible foreigners!" said Regina, nervously, and
let Antonio go down to the fountain by himself.
Public-domain text, read in full here on John Shaqi.
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