"He kissed me almost in a frenzy the moment he got out of the
train--as if he had feared he would never see me again. Then all
of a sudden his expression changed. Something gloomy, something
deprecating, came into his eyes. Has he lost his faith in me? Is
there something between us now? Well! of course it's like this at
first. To-morrow the constraint will have passed off."
To drive away all vestige of fear she spoke to him again; but her
heart was thumping uncomfortably, and when she pressed his hand and
found it inert and cold, unexplained anxiety again took possession of
her. It was almost as bad as her terror during those days when she
had been vainly expecting a letter from him.
"Oh, what is it?" she thought. "Has he not forgiven me?"
"Feel!" she said, putting Antonio's hand against her side. The hand
became suddenly animated.
"Is your heart still bad?" he asked, as if bethinking himself.
"No! It's beating for joy!" she replied, and talked on very fast.
"Yesterday I went to the old painted mill, to eat _gnocchi_. It was
such fun! There was a splendid sunset. What a character that old
miller is!"
She told the miller's prophecy, then went on to describe a visit to
the Master and his family.
"He's a character too! But he's really quite mad. He wants to send
the children to Rome--the boy to make his fortune, the girl to become
famous. He says----" and she mimicked the Master's speeches and voice.
Antonio laughed, but his laugh was cold and contemptuous, and seemed
far away.
"Oh, what is it?" thought Regina, overwhelmed by unexpected sadness.
That scoffing laugh was new in Antonio. He was scornful. Was it of
herself?
Fancies! Folly!
"As soon as we're alone, I'll take him by the shoulders, shake him
and cry, 'What on earth's the matter with you? Haven't you forgiven
me? Don't let us have any more nonsense, _please_! There has been
more than enough!'"
They were silent again. The chaise rolled on through the dark warm
night, through the pungent perfume of the motionless vegetation. The
young trees along the river were black in the darkness, blacker even
than the darkness. Everything was silent, everything exhaled sweet
odours. From the hot ground, from the damp wayside weeds, from the
paths bathed in dew, rose an intoxicating scent, a silent breath,
dreamy and voluptuous. Beside every bush seemed to stand a woman
waiting for her lover, her desire and her joy filling the emptiness
of the hot, rich night.
"To-morrow we'll go out by moonlight," said Regina, who could not
keep quite silent. "The night I arrived there was a beautiful moon,
wasn't there, Petrin?"
The driver made no reply.
"He's asleep. We shall be upset," said Antonio.
"Oh, no! The old horse is quite used to it," returned Regina, and
sure now that Petrin was not listening, she added, softly, "How
wretched I was that evening!"
"Were you?" said Antonio, as if remembering nothing of what had
passed.
Public-domain text, read in full here on John Shaqi.
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