One evening a little girl with thick hair falling in a red plait
over thin shoulders, with a green hat and a short green dress, which
left half-bare her meagre legs and big feet cased in yellow shoes,
reminded her of a water bird. Then suddenly, under those trees
blackened and burnt up by the heat of a thousand burning breaths, she
thought of her great river, of the poplars rising at this hour like
candles lighted by the moon, of the white line of the river-banks
cleaving the immense circle of the plain; and she marvelled that she
no longer felt the nostalgia which she had known of old.
Antonio proposed to sit down at the café, but Regina preferred
moving round with the crowd, going as far as Via Volturno, where the
voices of the melon-sellers crossed, followed, answered each other
jealously, like the crowing of cocks.
"_Favorischino, Signori! Favorischino!_"
On the black, damp tables, cut melons showed rosy in the trembling
lamp-light, and diffused a fresh and agreeable odour like great red
flowers. Children, workmen, a pair of students, a woman or two, bent
over the pink flesh of the juicy slices.
"_Favorischino, Signori!_ Behold what beauties! Real blood! Will you
buy one, lady?"
There was a stall at the corner of the street against the wall, and
the vendor looked condescendingly at the people clustered round his
banks of melons; but if any one noticed his money-box, he turned
anxiously and put on an air of preternatural solemnity.
"Do you intend to buy, madam?"
And from an ambulant gramaphone, whose red trumpet rose in the
shadow like a coral cup, issued a strange, hoarse music, a metallic
and rapid laughter, now near, now far, which streamed forth from
an unknown and alarming profundity, expressing a false joy, a cry
of misery, grief, derision, of wickedness and roguery, of pity and
sadness--a voice at once mocking and imploring, empty and portentous,
unconscious, and supremely melancholy.
To Regina it seemed the voice of the surrounding crowd. Yes! the
voice of the pale young daughter of joy, with the auburn hair under
the great black hat, seated alone and thoughtful before one of the
tables at the Morteo; the voice of the child like the water bird of
the famished singer, of the rough melon-seller, of the bright-eyed
old man in the pink shirt, of the gentleman with the thick lips and
brutal looks, of the melancholy fat man, of the lady in the red
dress lifted to show a trim ankle, of the wet-nurse with the Jewish
profile, of the yellow infant which she held in her arms, of the
little woman in black with floating veil who ran after the tram, of
the pair of lovers leaning romantically against the garden gate.
Public-domain text, read in full here on John Shaqi.
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