His voice was covered by the booming of the great bell of the cathedral. Three single strokes, one after another, burst out explosively, dying away in deep and mellow vibrations. And then all the bells in the tower of every church, convent, or chapel in town, even those that had remained shut up for years, pealed out together with a crash. In this furious flood of metallic uproar there was a power of suggesting images of strife and violence which blanched Mrs. Gould’s cheek. Basilio, who had been waiting at table, shrinking within himself, clung to the sideboard with chattering teeth. It was impossible to hear yourself speak. “Shut these windows!” Charles Gould yelled at him, angrily. All the other servants, terrified at what they took for the signal of a general massacre, had rushed upstairs, tumbling over each other, men and women, the obscure and generally invisible population of the ground floor on the four sides of the patio. The women, screaming “Misericordia!” ran right into the room, and, falling on their knees against the walls, began to cross themselves convulsively. The staring heads of men blocked the doorway in an instant--mozos from the stable, gardeners, nondescript helpers living on the crumbs of the munificent house--and Charles Gould beheld all the extent of his domestic establishment, even to the gatekeeper. This was a half-paralyzed old man, whose long white locks fell down to his shoulders: an heirloom taken up by Charles Gould’s familial piety. He could remember Henry Gould, an Englishman and a Costaguanero of the second generation, chief of the Sulaco province; he had been his personal mozo years and years ago in peace and war; had been allowed to attend his master in prison; had, on the fatal morning, followed the firing squad; and, peeping from behind one of the cypresses growing along the wall of the Franciscan Convent, had seen, with his eyes starting out of his head, Don Enrique throw up his hands and fall with his face in the dust. Charles Gould noted particularly the big patriarchal head of that witness in the rear of the other servants. But he was surprised to see a shrivelled old hag or two, of whose existence within the walls of his house he had not been aware. They must have been the mothers, or even the grandmothers of some of his people. There were a few children, too, more or less naked, crying and clinging to the legs of their elders. He had never before noticed any sign of a child in his patio. Even Leonarda, the camerista, came in a fright, pushing through, with her spoiled, pouting face of a favourite maid, leading the Viola girls by the hand. The crockery rattled on table and sideboard, and the whole house seemed to sway in the deafening wave of sound. CHAPTER FIVE