Pedrito Montero surprised one at first sight by the vast development of his bald forehead, a shiny yellow expanse between the crinkly coal-black tufts of hair without any lustre, the engaging form of his mouth, and an unexpectedly cultivated voice. But his eyes, very glistening as if freshly painted on each side of his hooked nose, had a round, hopeless, birdlike stare when opened fully. Now, however, he narrowed them agreeably, throwing his square chin up and speaking with closed teeth slightly through the nose, with what he imagined to be the manner of a grand seigneur. In that attitude, he declared suddenly that the highest expression of democracy was Caesarism: the imperial rule based upon the direct popular vote. Caesarism was conservative. It was strong. It recognized the legitimate needs of democracy which requires orders, titles, and distinctions. They would be showered upon deserving men. Caesarism was peace. It was progressive. It secured the prosperity of a country. Pedrito Montero was carried away. Look at what the Second Empire had done for France. It was a regime which delighted to honour men of Don Carlos’s stamp. The Second Empire fell, but that was because its chief was devoid of that military genius which had raised General Montero to the pinnacle of fame and glory. Pedrito elevated his hand jerkily to help the idea of pinnacle, of fame. “We shall have many talks yet. We shall understand each other thoroughly, Don Carlos!” he cried in a tone of fellowship. Republicanism had done its work. Imperial democracy was the power of the future. Pedrito, the guerrillero, showing his hand, lowered his voice forcibly. A man singled out by his fellow-citizens for the honourable nickname of El Rey de Sulaco could not but receive a full recognition from an imperial democracy as a great captain of industry and a person of weighty counsel, whose popular designation would be soon replaced by a more solid title. “Eh, Don Carlos? No! What do you say? Conde de Sulaco--Eh?--or marquis . . .” He ceased. The air was cool on the Plaza, where a patrol of cavalry rode round and round without penetrating into the streets, which resounded with shouts and the strumming of guitars issuing from the open doors of pulperias. The orders were not to interfere with the enjoyments of the people. And above the roofs, next to the perpendicular lines of the cathedral towers the snowy curve of Higuerota blocked a large space of darkening blue sky before the windows of the Intendencia. After a time Pedrito Montero, thrusting his hand in the bosom of his coat, bowed his head with slow dignity. The audience was over.