He was casting about in his own mind for some weighty sentence with
which to answer her; but she again broke in upon his silence:
"It seems that I am to escape to-day. I hope you are not a lax
disciplinarian; that comes of being young. Youth is more tolerant,
they say, of other people's errors: it has its own glass houses to
mind."
"You are too clever for me, Mrs. Cheyne," returned the young man, with
a deprecating smile that might have disarmed her. "No, I have not come
to lecture: my mission is perfectly peaceful, as befits this lovely
afternoon. I wonder what you ladies find to do all day?" he continued,
abruptly changing the subject, and trying to find something that would
not attract her satire.
Mrs. Cheyne seemed a little taken aback by this direct question; and
then she drew up her beautiful head a little haughtily, and laughed.
"Ah, you are cunning, Mr. Drummond. You found me disposed to take the
offensive in the matter of church-going, and now you are on another
track. There is a lecture somewhere in the background. How doth the
little busy bee, etc. Now, don't frown,"--as Mr. Drummond knitted his
brows and really looked annoyed: "I will not refuse to be
catechised."
"I should not presume to catechise you," he returned, hastily. "I
appeal to Miss Mewlstone if my question were not a very innocent
one."
"Just so; just so," replied Miss Mewlstone; but she looked a little
alarmed at this appeal. "Oh, very innocent; oh, very so."
"With two against me I must yield," returned Mrs. Cheyne, with a curl
of her lip. "What do we do with our time, Miss Mewlstone? Your
occupation speaks for itself: it is exquisitely feminine. Don't tell
Miss Mattie, Mr. Drummond, but I never work. I would as soon arm
myself with a dagger as a needle or a pair of scissors. When I am not
in the air, I paint. I only lay aside my palette for a book."
"You paint!" exclaimed Archie, with sudden interest. It was the first
piece of information he had yet gleaned.
"Yes," she returned, indifferently: "one must do something to kill
time, and music was never my forte. I sketch and draw and paint after
my own sweet will. There are portfolios full of my sketches in
there,"--with a movement of her hand towards a curtained recess. "No,
I know what you are going to say: you will ask to see them; but I
never show them to any one."
"For what purpose, then, do you paint them?" were the words on his
lips; but he forbore to utter them. But she read the question in his
eyes.
"Did I not say one must kill time?" she returned, rather irritably:
"the occupation is soothing: surely that is reason enough."
"It is a good enough reason, I suppose," he replied, reluctantly, for
surely he must say a word here; "but one need not talk about killing
time, with so much that one could do."
Then there came a gleam of suppressed mischief in her eyes:
Public-domain text, read in full here on John Shaqi.
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