What more natural? Connected so nearly with the noblest house of scenic artists that ever shook the hearts of nations, nobler than ever raised undying echoes amidst the mighty walls of Athens, of Rome, of Paris, of London,--himself a man of talents almost unparalleled for versatility,-- why should not Mr. Murray, always so liberal in an age so ungrateful to _his_ profession, have sacrificed something to this occasion? He, that sacrifices so much, why not sacrifice to the grandeur of the Antique? I was then in Edinburgh, or in its neighborhood; and one morning, at a casual assembly of some literary friends, present Professor Wilson, Messrs. J. F., C. N., L. C., and others, advocates, scholars, lovers of classical literature, we proposed two resolutions, of which the first was, that the news was too good to be true. That passed _nem. con._; and the second resolution was _nearly_ passing, viz. that a judgment would certainly fall upon Mr. Murray, had a second report proved true, viz. that not the Antigone, but a burlesque on the Antigone, was what he meditated to introduce. This turned out false; [l0] the original report was suddenly revived eight or ten months after. Immediately on the heels of the promise the execution followed; and on the last (which I believe was the seventh) representation of the Antigone, I prepared myself to attend. It had been generally reported as characteristic of myself, that in respect to all coaches, steamboats, railroads, wedding-parties, baptisms, and so forth, there was a fatal necessity of my being a trifle too late. Some malicious fairy, not invited to my own baptism, was supposed to have endowed me with this infirmity. It occurred to me that for once in my life I would show the scandalousness of such a belief by being a trifle too soon, say, three minutes. And no name more lovely for inaugurating such a change, no memory with which I could more willingly connect any reformation, than thine, dear, noble Antigone! Accordingly, because a certain man (whose name is down in my pocket-book for no good) had told me that the doors of the theatre opened at half-past six, whereas, in fact, they opened at seven, there was I, if you please, freezing in the little colonnade of the theatre precisely as it wanted six-and-a-half minutes to seven,--six-and-a-half minutes observe too soon. Upon which this son of absurdity coolly remarked, that, if he had not set me half-an-hour forward, by my own showing, I should have been twenty-three-and-a-half minutes too late. What sophistry! But thus it happened (namely, through the wickedness of this man), that, upon entering the theatre, I found myself like Alexander Selkirk, in a frightful solitude, or like a single family of Arabs gathering at sunset about a solitary coffee-pot in the boundless desert. Was there an echo raised? it was from my own steps. Did any body cough? it was too evidently myself. I was the audience; I was the public.