them a free and yet ever so conveniently conditioned taste of the
idyllic--such possibilities of perfect good comradeship between
unsuspected and unalarmed youths and maidens (on a comprehensive ground
that really exposed the business to a light and put it to a test) as
they were never again to see so favoured in every way by circumstance
and, one may quite emphatically say, by atmosphere. It is the atmosphere
that comes back to me as most of all the making of the story, even when
inhaled but by an occasional whiff and from afar--the manner of my own
inhaling. In that air of charmed and cultivated good faith nothing for
which the beautiful might be so presumingly claimed--if only claimed
with a sufficiently brave clean emphasis--wouldn't have _worked_, which
was the great thing; every one must have felt that what was aspired to
did work, and as I catch the many-voiced report of it again (many-voiced
but pretty well suffused with one clear tone, this of inflections
irreproducible now) I seem to listen in convinced admiration, though not
by any means in stirred envy, to the cheerful clatter of its working. My
failure of envy has, however, no mite of historic importance, proving as
it does nothing at all but that if we had, in the family sense, so
distinctly turned our back on Europe, the distinctness was at no point
so marked as in our facing so straight to such a picture, by which I
mean to such an exhibition, as my father's letter throws off. Without
knowledge of the letter at the time I yet measured the situation much as
he did and enjoyed it as he did, because it would have been stupid not
to; but from that to any wishful vision of being in it or of it would
have been a long jump, of which I was unabashedly incapable. To have
broken so personally, so all but catastrophically, with Europe as we
had done affected me as the jump sufficient; we had landed somewhere in
quite another world or at least on the sharp edge of one; and in the
single particular sense could I, as time then went on, feel myself at
all moved, with the helpless, the baffled visionary way of it, to push
further in. What straight solicitation _that_ phase of the American
scene could exert--more coercive to the imagination than any we were
ever again, as Americans, to know--I shall presently try to explain; but
this was an intensely different matter.
Public-domain text, read in full here on John Shaqi.
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