reason of my scant physical ease,) and fallen back again on the hard sofa of certain ancient rooms in the Winthrop Square, contracted nook, of a local order now quite abolished, and held to my nose for long and sustaining sniffs the scented flower of independence. I took my independence for romantic, or at least for a happy form of yawning vessel into which romance, even should it perforce consist but of mere loose observational play, might drop in the shape of ripe fruit from a shaken tree. Winthrop Square, as I had occasion to note a couple of years since, is a forgotten name, and the disappearance of my lodging spares me doubtless a reminder, possibly ironic, of the debility of those few constructional and pictorial elements that, mustering a wondrous good-will, I had invited myself to rejoice in as "colonial." The house was indeed very old, as antiquity in Cambridge went, with everything in it slanting and gaping and creaking, but with humble antique "points" and a dignity in its decay; above all with the deep recess or alcove, a sweet "irregularity" (so could irregularities of architectural conception then and there count,) thrust forth from its sitting-room toward what I supposed to be the Brighton hills and forming, by the aid of a large window and that commanding view, not to mention the grace of an ancient expansive bureau or secretary-desk (this such a piece, I now venture to figure, as would to-day be pounced on at any cunning dealer's,) a veritable bower toward which even so shy a dreamer as I still then had to take myself for might perhaps hope to woo the muse. The muse was of course the muse of prose fiction--never for the briefest hour in my case the presumable, not to say the presuming, the much-taking-for-granted muse of rhyme, with whom I had never had, even in thought, the faintest flirtation; and she did, in the event, I note, yield to the seduction of so appointed a nook--as to which romantic passage, however, I may not here anticipate. I but lose myself in the recovered sense of what it richly "meant" to me just to _have_ a place where I could so handsomely receive her, where I could remark with complacency that the distant horizon, an horizon long since rudely obliterated, was not, after all, too humble to be blue, purple, tawny, changeable in short, everything an horizon should be, and that over the intervening marshes of the Charles (if I don't go astray in so much geography) there was all the fine complicated cloud-scenery I could wish--so extravagantly did I then conceive more or less associational cloud-scenery, after the fashion, I mean, of that feature of remembered English and Boulognese water-colours, to promote the atmosphere of literary composition as the act had begun to glimmer for me.